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| Preface | |
| Acknowledgments | |
| Narration 1 | |
| Shooting an Elephant Langston Hughes:Salvation Maya Angelou:Grandmother’s | |
| Coming to an Awareness of Language | |
| Me Talk Pretty One Day | |
| Thirty-eight Who Saw Murder Didn’t Call the Police | |
| Description | |
| Fifth Avenue, Uptown | |
| Once More to the Lake | |
| A Partial Remembrance of a Puerto | |
| Revisiting Sacred Ground | |
| Monuments to Our Better Nature | |
| Process Analysis | |
| Why Leaves Turn Color in the Fall | |
| Behind the Formaldehyde Curtain | |
| Writing | |
| Alone on the Hilltop | |
| The Serpents of Paradise | |
| Definition | |
| Women’s Beauty: Put Down or Power Source? | |
| What Is Poverty? | |
| The Company Man | |
| Meanings of a Word Tom Haines:Facing Famine | |
| The Green-Eyed Monster | |
| Classification And Division | |
| Predictable Crises of Adulthood | |
| Four Kinds of Reading | |
| Growing Up Asian in America | |
| The Truth about Lying | |
| Doublespeak | |
| 9 Failures of the Imagination | |
| Comparison And Contrast | |
| Grant and Lee: A Study in Contrasts | |
| Talk in the Intimate Relationship: His and Hers | |
| Two Views of the Mississippi Scott | |
| The Men We Carry in Our Minds | |
| Neat People vs. Sloppy People | |
| Shakespeare’s Sister | |
| Two Ways to Belong in America | |
| Example And Illustration | |
| A Few Kind Words for Superstition | |
| The Anthropology of Manners | |
| Black Men and Public Space | |
| Letter to His Father | |
| Clutter Bailey White:Forbidden Things | |
| Silk Parachute | |
| Cause And Effect | |
| Pain Is Not the Ultimate Enemy | |
| Where Have All the Parents Gone? | |
| If Hitler Asked You to Electrocute a Stranger, Would You? Probably | |
| The Arrow of Time | |
| Shattered | |
| DNA as Destiny | |
| Analogy | |
| The Myth of the Cave | |
| Am I Blue? | |
| Body Ritual Among the Nacirema | |
| The Cosmic Prison | |
| Living Like Weasels | |
| Argument And Persuasion Argument Economics and Social Responsibilit | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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