Indroduction | p. 1 |
Get physical | p. 9 |
Orientation | p. 9 |
Billy Mays and the gift of the gab | p. 9 |
The variables of voice | p. 10 |
Seeing what you can't see | p. 13 |
What has the most visual stopping power? | p. 15 |
Going beyond sight and sound into additional media | p. 18 |
Leveraging sensory contrasts | p. 20 |
Creative templates that work well | p. 23 |
Summary | p. 24 |
Keep it simple | p. 27 |
Orientation | p. 27 |
How not to waste half your advertising | p. 27 |
Engagement: what the financial stakes are | p. 29 |
Advertising's secret emotional cancer: frustration | p. 30 |
Overcoming frustration through simplicity | p. 31 |
Rules for word play | p. 38 |
Summary | p. 42 |
Keep it close to home | p. 45 |
Orientation | p. 45 |
Easy does it: the advantages of leveraging what's familiar | p. 45 |
The comfort zone: where the familiar is credible and easy to accept | p. 47 |
Leveraging people's preference for comfort | p. 50 |
Taking into account people's bias against what's foreign | p. 52 |
Summary | p. 54 |
Focus on faces | p. 55 |
Orientation | p. 55 |
Why faces are special: proof and four well-known reasons | p. 55 |
Why faces are special: subtle factors highly relevant to advertising | p. 57 |
From theory to practice: emotional responses to faces | p. 61 |
True smiles versus social smiles: how heartfelt smiles differ from willed ones | p. 62 |
The quest for authenticity | p. 64 |
Criteria for casting appropriately and evaluating performance | p. 65 |
Summary | p. 69 |
Make it memorable | p. 71 |
Orientation | p. 71 |
Did you see it? Recall measures as a house of mirrors | p. 71 |
Explaining the answers: the gap between recall and how ad retention works | p. 73 |
Explaining the answers: why 'Truth' won and what it means for you | p. 76 |
Three additional criteria for enhancing ad retention based on how memory works | p. 79 |
How to avoid the risk of creating unbranded ads | p. 83 |
Summary | p. 85 |
Relevancy drives connection | p. 87 |
Orientation | p. 87 |
The categorical truth: never forget the WIIFM | p. 87 |
Types of motivations: a serious case of wanting fun food | p. 89 |
Being on-motivation is essential to effectiveness | p. 92 |
Redefining industry categories as emotional markets | p. 94 |
Relevancy created by identifying with the emotions involved | p. 97 |
Relevancy created by identifying with a brand's personality type | p. 100 |
Summary | p. 102 |
Always sell hope | p. 103 |
Orientation | p. 103 |
Happiness, Inc.: leveraging the hope that springs eternal | p. 103 |
The interrelated dynamics of happiness and hope: an advertiser's checklist | p. 107 |
A critique of three examples of selling both hope and happiness | p. 109 |
Behavioural economics and the tension between hope and fear in advertising | p. 112 |
The missing factor in selling hope: be true to your word(s) | p. 117 |
Summary | p. 119 |
Don't lead with price | p. 121 |
Orientation | p. 121 |
How leading with price can destroy a company's marketing strategy | p. 122 |
Lack of sustainability (surprise fades) | p. 123 |
Become numb to price (devaluing hope) | p. 123 |
Invites analysis (undercutting emotional engagement) | p. 126 |
Low-value perceptions (inviting contempt) | p. 127 |
A price focus distorts purchase choices (dissatisfaction results) | p. 128 |
Brand loyalty at risk (pride takes a hit) | p. 130 |
Brand integrity at risk (desperation detected) | p. 131 |
In contrast, three real solutions to economic hard times and price/value wars | p. 132 |
Summary | p. 135 |
Mirror the target market's values | p. 137 |
Orientation | p. 137 |
Why empathy has become marketing's new touchstone | p. 137 |
The struggle to create authentic dialogues: welcome to executive blogging | p. 140 |
The battle of sexism: offensive gender portrayals | p. 143 |
The rise of a creative class outside the advertising agency structure | p. 146 |
Cause marketing: a way to neutralize critics and make new friends | p. 149 |
Summary | p. 151 |
Believability sticks | p. 153 |
Orientation | p. 153 |
The battle between belief and pervasive scepticism | p. 153 |
Defining the types of advertising | p. 157 |
What type of advertising is most emotionally persuasive? | p. 159 |
Time for analysis: what are the implications of these various results? | p. 161 |
The two ends of the spectrum for creating persuasion | p. 164 |
Familiarity: what we know and like, we trust | p. 166 |
Fairness versus desire: fulfilling on practical needs or wants and dreams | p. 166 |
Fairness: why humility and specificity work wonders | p. 167 |
Desire: it's all about the three Ps of passion, pleasure and purpose | p. 167 |
Consistency: nobody's won over by fickle companies and mono-emotion actors | p. 168 |
Summary | p. 169 |
Afterword | p. 171 |
Notes | p. 175 |
Picture credits | p. 185 |
Index | p. 189 |
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