More New and Used
from Private Sellers
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the 2nd edition with a publication date of 6/15/2010.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Used copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
- The eBook copy of this book is not guaranteed to include any supplemental materials. Typically only the book itself is included.
A key text for drama students today. These dramatic dialogues between the teacher and 'The Creature' ' an idealistic student - explore the 'craft' of acting according to one of the godfathers of method acting. The book also features Boleslavsky's lectures to The Creative Theatre and American Laboratory Theatre, as well as 'Acting with Maria Ouspenskaya', four short essays on the work of Ouspenskaya, his colleague and fellow actor trainer. This new edition is edited with a new introduction and bibliography by Rhonda Blair, author of The Actor, Image, and Action.
Richard Boleslavsky (1889-1937) (born Ryszard Boleslawski) was a Polish actor and director. He was a member of the Moscow Art Theatre and director of its First Studio. He emigrated to New York in the 1920s and was the first teacher of the Stanislavski system of acting in the West. He went on to produce plays on Broadway and was a leading Hollywood director in the 1930s. Rhonda Blair is Professor of Theatre at Southern Methodist University, USA. She is a leading voice on the applications of cognitive science on the acting process and the author of the Actor, image, and Action: Acting and Cognitive Neuroscience. She is currently the President of the American Society for Theatre Research (ASTR).
Table of Contents
|Editor's introduction||p. ix|
|Acting: The First Six Lessons||p. 1|
|The First Lesson: Concentration||p. 4|
|The Second Lesson: Memory of Emotion||p. 11|
|The Third Lesson: Dramatic Action||p. l2|
|The Fourth Lesson: Characterization||p. 31|
|The Fifth Lesson: Observation||p. 45|
|The Sixth Lesson: Rhythm||p. 53|
|The ˘Creative Theatre÷ Lectures||p. 65|
|What is the theatre?||p. 71|
|What is a play?||p. 74|
|What is the audience?||p. 77|
|What is an actor?||p. 82|
|What is a theatrical designer?||p. 84|
|What is a theatrical composer?||p. 88|
|What is a collective work in a theatre?||p. 92|
|What is a theatrical performance?||p. 97|
|What is a mechanical performance?||p. 99|
|What is a creative theatrical performance?||p. 101|
|The qualifications of a creative actor||p. 103|
|What is the meaning of ˘Living the Part?÷||p. 105|
|What is ˘Spiritual Concentration?÷||p. 107|
|What is the Spiritual or Affective Memory?||p. 114|
|How to use affective memory in preparing a part||p. 117|
|Boleslavsky lectures from the American Laboratory Theatre||p. 121|
|Lecture 3||p. 123|
|Lecture 5||p. 130|
|Lesson 6||p. 137|
|Lecture 7||p. 142|
|Lesson 8||p. 150|
|Lesson 9||p. 156|
|Lecture 10||p. 164|
|Lecture 11||p. 169|
|Notes on acting with Maria Ouspenskaya||p. 181|
|October 1954||p. 183|
|November 1954||p. 189|
|December 1954||p. 195|
|January 1955||p. 201|
|Table of Contents provided by Ingram. All Rights Reserved.|