Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
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List of illustrations | p. ix |
Notes on contributors | p. xii |
Acknowledgements | p. xvi |
Preface | p. xvii |
Introduction | p. xviii |
Stanislavsky's System: Pathways for the Actor | p. 1 |
Meyerhold and Biomechanics | p. 26 |
Jacques Copeau: The Quest for Sincerity | p. 43 |
Michael Chekhov on the Technique Of Acting: 'was Don Quixote True to Life?' | p. 63 |
Michel Saint-Denis: Training the Complete Actor | p. 81 |
The Knebel Technique: Active Analysis in Practice | p. 99 |
Brecht and Actor Training: On Whose Behalf Do We Act? | p. 117 |
Joan Littlewood | p. 130 |
Strasberg, Adler and Meisner: Method Acting | p. 144 |
Joseph Chaikin and Aspects of Actor Training: Possibilities Rendered Present | p. 164 |
Peter Brook: Transparency and the Invisible Network | p. 184 |
Grotowski's Vision of the Actor: The Search for Contact | p. 199 |
Jacques Lecoq, Monika Pagneux and Philippe Gaulier: Training for Play, Lightness and Disobedience | p. 215 |
Training with Eugenio Barba: Acting Principles, The Pre-Expressive and 'Personal Temperature' | p. 237 |
Ariane Mnouchkine and the Théâtre Du Soleil: Theatricalising History; The Theatre as Metaphor; the Actor as Signifier | p. 250 |
W&lstroke;odzimierz Staniewski: Gardzienice and the Naturalised Actor | p. 268 |
Anne Bogart and Siti Company: Creating the Moment | p. 288 |
Augusto Boal and the Theatre of the Oppressed | p. 305 |
Index | p. 325 |
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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.