(0) items

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
The Age of New Waves Art Cinema and the Staging of Globalization,9780199858286
This item qualifies for

Your order must be $59 or more, you must select US Postal Service Shipping as your shipping preference, and the "Group my items into as few shipments as possible" option when you place your order.

Bulk sales, PO's, Marketplace Items, eBooks, Apparel, and DVDs not included.

The Age of New Waves Art Cinema and the Staging of Globalization



Pub. Date:
Oxford University Press
List Price: $112.00

Buy New Textbook

Usually Ships in 3-5 Business Days

Rent Textbook

We're Sorry
Sold Out

Used Textbook

We're Sorry
Sold Out


We're Sorry
Not Available

More New and Used
from Private Sellers
Starting at $80.69

Questions About This Book?

What version or edition is this?
This is the edition with a publication date of 9/2/2013.
What is included with this book?
  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.


The Age of New Waves examines the origins of the concept of the "new wave" in 1950s France and the proliferation of new waves in world cinema over the past three decades. The book suggests that youth, cities, and the construction of a global market have been the catalysts for the cinematic new waves of the past half century. It begins by describing the enthusiastic engagement between French nouvelle vague filmmakers and a globalizing American cinema and culture during the modernization of France after World War II. It then charts the growing and ultimately explosive disenchantment with the aftermath of that massive social, economic, and spatial transformation in the late 1960s. Subsequent chapters focus on films and visual culture from Taiwan and contemporary mainland China during the 1980s and 1990s, and they link the recent propagation of new waves on the international film festival circuit to the "economic miracles" and consumer revolutions accompanying the process of globalization. While it travels from France to East Asia, the book follows the transnational movement of a particular model of cinema organized around mise en scène--or the interaction of bodies, objects, and spaces within the frame--rather than montage or narrative. The "master shot" style of directors like Hou Hsiao-Hsien, Tsai Ming-Liang, and Jia Zhangke has reinvented a crucial but overlooked tendency in new wave film, and this cinema of mise en scène has become a key aesthetic strategy for representing the changing relationships between people and the material world during the rise of a global market. The final chapter considers the interaction between two of the most global phenomena in recent film history--the transnational art cinema and Hollywood--and it searches for traces of an American New Wave.

Author Biography

James Tweedie is Associate Professor of Comparative Literature and a member of the Cinema Studies faculty at the University of Washington.

Table of Contents

Introduction: Youth, Cities, and the Globalization of Art Cinema

1. The Mise-en-Scène of Modernity: The French New Wave, Paris, and the Global 1960s
2. Walking in the City
3. New Wave Futures

4. The Urban Archipelago: Taiwan's New Wave and the East Asian Economic Boom
5. Morning in the Megacity: Taiwan and the Globalization of the City Film
6. The Haunting of Taipei

7. Chinese Cinema in a World of Flows: The New Wave in the People's Republic of China
8. The Fifth Generation and the Youth of China
9. On Living in a Young City

Conclusion: Was There an American New Wave?

Please wait while the item is added to your cart...