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American Popular Music; From Minstrelsy to MP3 Includes two CDs
by Larry Starr; Christopher WatermanEdition:
2nd
ISBN13:
9780195300536
ISBN10:
019530053X
Format:
Paperback
Pub. Date:
12/6/2006
Publisher(s):
Oxford University Press, USA
List Price: $79.95
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Summary
In American Popular Music: From Minstrelsy to MP3, Second Edition, Larry Starr and Christopher Waterman examine popular music in the United States from its beginnings into the 21st century, offering a comprehensive look at the music, the cultural history of the times, and the connections between them. Using well-chosen examples, insightful commentaries, and an engaging writing style, this text traces the development of jazz, blues, country, rock, Motown, hip-hop, and other popular styles, highlighting the contributions of diverse groups to the creation of distinctly American styles. It combines an in-depth treatment of the music itself--including discussions of stylistic elements and analyses of musical examples--with solid coverage of the music's attendant historical, social, and cultural circumstances. The authors incorporate strong pedagogy including numerous boxed inserts on significant individuals, recordings, and intriguing topics; coverage of early American popular music; and a rich illustration program. Detailed listening charts explain the most important elements of recordings discussed at length in the text. The charts are complemented by two in-text audio CDs and--new to this edition--an iMix published at iTunes, which makes most of the songs immediately available to students and instructors. Features of the Second Edition * Integrates full color throughout * Provides more coverage of women artists, with new material on women in rock 'n' roll in Chapter 8 and a box on Queen Latifah in Chapter 14 * Reorganizes the discussion of post-1970s music: disco is now included with mainstream 70s pop, while hip-hop is treated in two chapters (12 and 14) in order to emphasize its significance and diversity * Adds new material on the recent alternative country music explosion * Includes new developments in music technology in the thoroughly revised concluding chapter * Offers revised and more vivid visual elements, including more than 100 new photos (most in full color) and an illustrated timeline * Provides redesigned listening guides, enhanced by an iMix published at iTunes (accessible at www.oup.com/us/popmusic) * Supplemented by a Companion Website at www.oup.com/us/popmusic (containing both student and instructor resources) and an Instructor's Manual and a Computerized Test Bank on CD * FREE with the purchase of this book: a 6-month subscription to Grove Music Online (www.grovemusic.com)--a $180 value Remarkably accessible, American Popular Music, Second Edition, is ideal for courses in American Popular Music, the History of Popular Music, Popular Music in American Culture, and the History of Rock 'n' Roll. Its welcoming style and warm tone will captivate readers, encouraging them to become more critically aware listeners of popular music.
Author Biography
Larry Starrs is Professor of Music at the University of Washington
Table of Contents
| Preface to the Second Edition | p. ix |
| Themes and Streams of American Popular Music | p. 1 |
| Listening | p. 2 |
| Music and Identity | p. 5 |
| Music and Technology | p. 6 |
| The Music Business | p. 7 |
| Centers and Peripheries | p. 9 |
| Streams of Tradition: The Sources of Popular Music | p. 10 |
| "After the Ball": Popular Music of the Nineteenth and Early Twentieth Centuries | p. 18 |
| The Minstrel Show | p. 18 |
| An Early Pop Songwriter: Stephen Foster | p. 23 |
| Dance Music and Brass Bands | p. 26 |
| The Birth of Tin Pan Alley | p. 29 |
| The Ragtime Craze, 1896-1918 | p. 33 |
| The Rise of the Phonograph | p. 36 |
| Catching as the Small-Pox": Social Dance and Jazz, 1917-1935 | p. 41 |
| Technology and the Music Business | p. 42 |
| "Freak Dances": Turkey Trot and Tango | p. 46 |
| James Reese Europe and the Castles | p. 48 |
| The Jazz Craze | p. 52 |
| Jazz Becomes Popular Music: The Original Dixieland Jazz Band | p. 53 |
| Dance Music in the "Jazz Age" | p. 56 |
| "The King of Jazz" | p. 59 |
| "I Got Rhythm": The Golden Age of Tin Pan Alley Song | p. 64 |
| Tin Pan Alley Song Form | p. 66 |
| What Were Tin Pan Alley Songs About? | p. 67 |
| What Makes a Song a "Standard"? | p. 50 |
| "St. Louis Blues': Race Records and Hillbilly Music | p. 86 |
| Race Records | p. 87 |
| Classic Blues | p. 91 |
| The Country Blues | p. 99 |
| Charley Patton and "Tom Rushen Blues" (1929) | p. 101 |
| Blind Lemon Jefferson: The First Country Blues Star | p. 103 |
| Robert Johnson: Standing at the Crossroad | p. 106 |
| Early Country Music: Hillbilly Records | p. 109 |
| Pioneers of Country Music: The Carter Family and Jimmie Rodgers | p. 111 |
| Popular Music and the Creat Depression | p. 117 |
| "In the Mood": The Swing Era, 1935-1945 | p. 120 |
| Swing Music and American Culture | p. 121 |
| Benny Goodman: The King of Swing | p. 128 |
| Big Band Blues: Count Basie, Duke Ellington, and Glenn Miller | p. 135 |
| Country Music in the Swing Era: Roy Acuff, Singing Cowboys, and Western Swing | p. 142 |
| "Choo Choo Ch'boogie": The Postwar Era, 1946-1954 | p. 152 |
| Popular Music and Technology in the Postwar Era | p. 155 |
| Rise of the Big Singers | p. 157 |
| Urban Folk Music: The Weavers | p. 165 |
| Southern Music in the Postwar Era | p. 166 |
| Rhythm & Blues | p. 169 |
| Women in R&B: Ruth Brown and Big Mama Thornton | p. 179 |
| Country and Western Music | p. 182 |
| Hank Williams | p. 190 |
| "Rock Around the Clock": Rock 'n' Roll, 1954-1959 | p. 195 |
| Cover Versions and Early Rock 'n' Roll | p. 200 |
| The Rock 'n' Roll Business | p. 209 |
| Early Rock 'n' Roll Stars on the R&B Side | p. 217 |
| Early Rock 'n' Roll Stars on the Country Side | p. 223 |
| Wild, Wild Young Women: The Lady Vanishes | p. 229 |
| Songwriters and Producers of Early Rock 'n' Roll | p. 232 |
| "Good Vibrations": American Pop and the British Invasion, 1960s | p. 236 |
| The Early 1960s: Dance Music and "Teenage Symphonies" | p. 237 |
| Berry Gordy and Motown | p. 245 |
| Brian Wilson and the Beach Boys | p. 250 |
| The Beatles, the British Invasion, and the American Response | p. 254 |
| "Blowin' in the Wind": Country, Soul, Urban Folk, and the Rise of Rock, 1960s | p. 269 |
| Patsy Cline and the Nashville Sound | p. 271 |
| Ray Charles and Soul Music | p. 273 |
| James Brown and Aretha Franklin | p. 276 |
| Urban Folk Music in the 1960s: Bob Dylan | p. 284 |
| The Counterculture and Psychedelic Rock | p. 295 |
| Sgt. Pepper's Lonely Hearts Club Band | p. 298 |
| San Francisco Rock: Jefferson Airplane, Janis Joplin, and the Grateful Dead | p. 304 |
| Guitar Heroes: Jimi Hendrix and Eric Clapton | p. 306 |
| The 1970s: Rock Music, Disco, and the Popular Mainstream | p. 312 |
| Country Music and the Pop Mainstream | p. 316 |
| Rock Comes of Age | p. 329 |
| "Night Fever": The Rise of Disco | p. 341 |
| Outsiders' Music: Progressive Country, Reggae, Punk, Funk, and Rap, 1970s | p. 350 |
| The Outlaws: Progressive Country Music | p. 350 |
| "I Shot the Sheriff": The Rise of Reggae | p. 356 |
| "Psycho Killer": 1970s Punk and New Wave | p. 361 |
| "Tear the Roof Off the Sucker": Funk Music | p. 372 |
| "Rapper's Delight": The Origins of Hip-Hop | p. 376 |
| The 1980s: Digital Technology, MTV, and the Popular Mainstream | |
| Digital Technology and Popular Music | p. 385 |
| A Tale of Three Albums | p. 387 |
| "Baby I'm a Star": Prince, Madonna, and the Production of Celebrity | p. 406 |
| "Smells Like Teen Spirit": Hip-Hop, "Alternative" Music, and the Entertainment Business | p. 420 |
| Hip-Hop Breaks Out (1980s-1990s) | p. 422 |
| Techno: Dance Music in the Digital Age | p. 438 |
| Alternate Currents | p. 440 |
| Women's Voices: Alternative Folk, Hip-Hop, and Country | p. 449 |
| Globalization and the Rise of World Music | p. 458 |
| Conclusion | p. 465 |
| Music and Identity | p. 466 |
| Technology and the Music Business | p. 469 |
| Centers and Peripheries | p. 474 |
| Glossary | p. 477 |
| Bibliography | p. 480 |
| Timeline | p. 482 |
| Credits | p. 489 |
| Index | p. 492 |
| CD TrackList | p. 516 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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