More New and Used
from Private Sellers
Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the 00 edition with a publication date of 9/17/2012.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Used copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
Anthology for Music in the Nineteenth Century, part of the Western Music in Context series, is the ideal companion to Music in the Nineteenth Century. Twenty-three carefully chosen works-including movements from a Beethoven quartet, excerpts from operas by Verdi and Bizet, piano music by Gottschalk, and a symphonic movement by Tchaikovsky-offer representative examples of genres and composers of the period. Commentaries following each score present a careful analysis of the music, and online links to purchase and download recordings make listening easier than ever.
Table of Contents
|String Quartet in C# Minor, Op. 131, Movements 1 and 2||p. 1|
|Gretchen, am Spinnrade, Op. 2 (D. 118)||p. 11|
|Norma, Act 1, Scene 4, Casta diva||p. 20|
|Les Huguenots, Act 4, Scene 5, Benediction of the Swords||p. 50|
|Der Freischütz, Act 2, Scene 2, Leise, leise||p. 77|
|Elijah, Part 2, chorus, He watching over Israel||p. 89|
|Symphonie fantastique, Movement 2, Un bal||p. 97|
|Années de pèlerinage I, Suisse, No. 4, Au bord d'une source||p. 124|
|Nocturen in Bb Minor, Op. 9, No. 1||p. 132|
|Dichterliebe, Op. 48, Im wunderschönen Monat Mai and Aus meinen Tränen sprißen||p. 139|
|Mörike-Lieder, No. 24, In der Frühe||p. 143|
|Boris Godunov, Act 2, Boris's monologue||p. 147|
|Piano Trio No. 4 (Dumky), Op, 90, Movement 6||p. 159|
|Richard Wagner and Wagnerism|
|Tristan, und Isolde, Act 1, Scene 3, Isolde's Narrative||p. 169|
|Verdi, Operetta, and Popular Appeal|
|Rigoletto, Act 3, Scene 3, Quartet||p. 189|
|Carmen, Act 1, No. 5, Habanera||p. 213|
|Concert Culture and the, "Great" Symphony|
|Symphony No. 1 in C Minor, Op. 68, Movement 1||p. 228|
|Symphony No. 6 in B Minor (Pathétique), Op, 74, Movement 4||p. 257|
|Musical Life and Identity in the United States|
|La gallina, danse cubaíne||p. 278|
|Violin Sonata in A Minor, Op. 34, Movement 2||p. 285|
|The Fin de Siècle and the Emergence of Modernism|
|Lieder eines fahrenden Gesellen, No. 4, Die zwei blauen Augen||p. 294|
|La bohème, Act 2, Musetta's Waltz||p. 307|
|Fêtes galantes I, En sourdine||p. 332|
|Table of Contents provided by Ingram. All Rights Reserved.|