9780073325026

Anthology of Post-Tonal Music

by
  • ISBN13:

    9780073325026

  • ISBN10:

    0073325023

  • Edition: 1st
  • Format: Spiral Bound
  • Copyright: 5/15/2007
  • Publisher: McGraw-Hill Education

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Supplemental Materials

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  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
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Summary

This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli, it can also stand alone as an anthology for study and analysis in other music theory courses.

Table of Contents

(1862-1918), “La cathédrale engloutie,” no. 10 from Preludes, book I(1910)
“Canope,” no. 10 from Preludes, book II (1910-13)
“Sarabande,” from Pour le piano (1894-1901)
(1881-1945), “Song of the Harvest,” no. 33 from Forty-four Violin Duets (1931)
“Whole-tone Scale,” no. 136 from Mikrokosmos, vol. 5 (1932-39)
“Diminished Fifth,” no. 101 from Mikrokosmos, vol. 4 (1932-39)
“From the Island of Bali,” no 109 from Mikrokosmos, vol 4 (1932-39)
Five Movements For String Quartet, op. 5, III (1909)
(1874-1951), “Angst und Hoffen,” no. 7 from Book of The Hanging Gardens, op. 15 (1909)
(1885-1935), “Schlafend trägt man mich,” no. 2 from Four Songs, op. 2 (1908-1909)
(1882-1971), Agnus Dei, from Mass (1944-48)
(1895-1963), Interlude in G, from Ludus tonalis (1942)
“Vom Tode Mariä I,” from Das Marienleben (1923)
(1874-1954), “The Things Our Fathers Loved,” from 114 Songs (ca. 1917)
“The Cage,” from 114 Songs (1906)
(1901-1953), Diaphonic Suite no. 4, III (1930)
(1904-1975), “Contrapunctus secundus,” no. 5 from Quaderno musicale di Annalibera (1952-53)
“Quartina,” no. 11 from Quaderno musicale di Annalibera (1952-53)
(1883-1945), “Wie bin ich froh,” no. 1 from Drei Lieder, op. 25 (1935)
Piano Variations, op. 27, II (1935-36)
(1874-1951), Klavierstück, op. 33a (1929)
(1882-1971), “Lacrimosa,” from Requiem Canticles (1966)
(b. 1925), Structures Ia, mm. 1-39 (1952)
(b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948)
(1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48)
(b. 1908), String Quartet no. 2, I, mm. 35-134 (1959)
(b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968)
(1912-1992), Winter Music (one page) (1957)
(1913-1994), Jeux vénitiens, I (1960-61)
(1923-2006), Ramifications, mm. 1-44 (1968-69)
(1918-2005), Music for the Magic Theater, reh. 1-17 (1965)
(1925-2003), Sinfonia, III (“In ruhig fliessender Bewegung”), mm. 1-120 (to reh. F) (1968)
(b. 1923), “Dream Images (Love-Death Music),” no. 11 from Makrokosmos, vol. 1 (1972-73)
(b. 1936), Violin Phase (1967)
(b. 1939), De Staat, mm. 1-161 (1972-76)
(b. 1935), Cantus (1977)
(b. 1964), Spring Song, mm. 1-41 (1995)
(b. 1971), Asyla, II, mm. 1-43 (1997)
(b. 1952), Ariel’s Hail (2000)
Table of Contents provided by Publisher. All Rights Reserved.

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