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Acknowledgments | p. ix |
Introduction: Masters and Traditions | p. xv |
France and the Classical Origins of Ballet | |
Kings of Dance | p. 3 |
The Enlightenment and the Story Ballet | p. 49 |
The French Revolution in Ballet | p. 98 |
Romantic Illusions and the Rise of the Ballerina | p. 135 |
Scandinavian Orthodoxy: The Danish Style | p. 176 |
Italian Heresy: Pantomime, Virtuosity, and Italian Ballet | p. 205 |
Light from the East: Russian Worlds of Art | |
Tsars of Dance: Imperial Russian Classicism | p. 245 |
East Goes West: Russian Modernism and Diaghilev's Ballets Russes | p. 290 |
Left Behind? Communist Ballet from Stalin to Brezhnev | p. 341 |
Alone in Europe: The British Moment | p. 396 |
The American Century I: Russian Beginnings | p. 448 |
The American Century II: The New York Scene | p. 470 |
Epilogue: The Masters Are Dead and Gone | p. 540 |
Notes | p. 551 |
Bibliography | p. 573 |
Index | p. 613 |
Illustration Credits | p. 641 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.