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| Preface | |
| Introduction: Why Do We Study the History of Art? | |
| Precursors of the Renaissance | |
| The Early Renaissance | |
| The High Renaissance in Italy | |
| Mannerism and the Later Sixteenth Century in Italy | |
| Sixteenth-Century Painting in Northern Europe | |
| The Baroque Style in Western Europe | |
| Rococo and the Eighteenth Century | |
| Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries | |
| Romanticism: The Late Eighteenth and Early Nineteenth Centuries | |
| Nineteenth-Century Realism | |
| Nineteenth-Century Impressionism | |
| Post-Impressionism and the Late Nineteenth Century | |
| Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse | |
| Cubism, Futurism, and Related Twentieth-Century Styles | |
| Dada, Surrealism, Fantasy, and the United States between the Wars | |
| Abstract Expressionism | |
| Pop Art, Op Art, Minimalism, and Conceptualism | |
| Innovation, Continuity, and Globalization | |
| Notes | |
| Glossary | |
| Suggestions for Further Reading | |
| Literary Acknowledgments | |
| Acknowledgments Picture | |
| Credits Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
