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Art History Portable Editionby Marilyn Stokstad offers exactly the same content asArt History, Third Editionbut in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods. Book 6: Art History: Eighteenth to Twenty-First Century can be used for such courses as: Eighteenth-Century Art in Europe and the Americas Nineteenth-Century Art in Europe and the United States Modern Art in Europe and the Americas, 1900-1945 The International Scene Since 1945 Book 1: Art History: Ancient Art Book 2: Art History: Medieval Art Book 3: Art History: A View of the World, Part One: Asian, African, and Islamic Art and Art of the Americas Book 4: Art History: Fourteenth to Seventeenth Century Art Book 5: Art History: A View of the World, Part Two: Asian, African, and Oceanic Art and Art of the Americas Book 6: Art History: Eighteenth to Twenty-First Century
Table of Contents
|Eighteenth-Century Art in Europe and the Americas||p. 940|
|The Enlightenment and Its Revolutions||p. 942|
|The Rococo Style in Europe||p. 943|
|Architecture and Its Decoration in Germany and Austria||p. 944|
|Rococo Painting and Sculpture in France||p. 946|
|Italyand The Classical Revival||p. 951|
|Italian Portraits and Views||p. 952|
|Neoclassicism in Rome: The Albani-Winckelmann Influence||p. 954|
|Revivals and Early Romanticism in Britain||p. 956|
|Classical Revival in Architecture and Landscaping||p. 956|
|Gothic Revival in Architecture and Its Decoration||p. 959|
|Neoclassicism in Architecture and the Decorative Arts||p. 959|
|Later Eighteenth-Century Art in France||p. 969|
|Painting and Sculpture||p. 970|
|Eighteenth-Century Art of the Americas||p. 977|
|New Spain||p. 977|
|North America||p. 979|
|In Perspective||p. 982|
|Boxes the Object Speaksgeorgian Silver||p. 962|
|Elements of Architecture Iron as a Building Material||p. 967|
|Art and Its Context Women and Academies||p. 952|
|Defining Art Academies and Academy Exhibitions||p. 948|
|Nineteenth-Centuryart in Europe and the United States||p. 984|
|Europeand the United States in the Nineteenth Century||p. 986|
|Early Nineteenth-Century Art: Neoclassicism and Romanticism||p. 987|
|Neoclassicism and Romanticism in France||p. 988|
|Romantic Sculpture in France and Beyond||p. 997|
|Romanticism in Spain: Goya||p. 998|
|Romantic Landscape Painting||p. 1000|
|Revival Styles in Architecture before 1850||p. 1007|
|Art in the Second Half of the Nineteenth Century||p. 1009|
|Early Photography in Europe||p. 1010|
|New Materials and Technology in Architecture at Midcentury||p. 1012|
|French Academic Art and Architecture||p. 1013|
|Late Nineteenth-Century Art in Britain||p. 1023|
|The Birth of Modern Art||p. 1038|
|Symbolism in Painting||p. 1047|
|Late Nineteenth-Century French Sculpture||p. 1051|
|Art Nouveau||p. 1053|
|Late-Century Photography||p. 1057|
|In Perspective||p. 1062|
|Boxes the Object Speaksraft of the ldquo;Medusardquo;||p. 992|
|Elements of Architecture The City Park||p. 1059|
|Technique Lithography||p. 994|
|How to be a Famous Artist in the Nineteenth Century||p. 1016|
|Table of Contents provided by Publisher. All Rights Reserved.|