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Art History Portable Editionby Marilyn Stokstad offers exactly the same content asArt History, Third Editionbut in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods. Book 4: Art History: Fourteenth to Seventeenth Century Art can be used for such courses as: Fourteenth-Century Art in Europe Fifteenth-Century Art in Northern Europe and the Iberian Peninsula Renaissance Art in Fifteenth Century Italy Sixteenth-Century Art in Italy Sixteenth-Century Art in Northern Europe and the Iberian Peninsula Baroque Art Book 1: Art History: Ancient Art Book 2: Art History: Medieval Art Book 3: Art History: A View of the World, Part One: Asian, African, and Islamic Art and Art of the Americas Book 4: Art History: Fourteenth to Seventeenth Century Art Book 5: Art History: A View of the World, Part Two: Asian, African, and Oceanic Art and Art of the Americas Book 6: Art History: Eighteenth to Twenty-First Century
Table of Contents
|Use Notesv Starter Kit||p. vi|
|Fourteenth-Century Art in Europe||p. 552|
|Europein the Fourteenth Century||p. 554|
|Florentine Architecture and Sculpture||p. 557|
|Florentine Painting||p. 559|
|Sienese Painting||p. 567|
|Manuscript Illumination||p. 572|
|Embroidery: Opus Anglicanum||p. 575|
|The Holy Roman Empire||p. 578|
|The Supremacy of Prague||p. 578|
|Mysticism and Suffering||p. 580|
|In Perspective||p. 582|
|Boxes The Object Speaks The Triumph of Death||p. 556|
|Technique Cennino Cennini (c. 1370-1440) on Painting||p. 564|
|Buon Fresco||p. 569|
|Art and Its Context A New Spirit in Fourteenth-Century Literature||p. 561|
|Fifteenth-Century Art in Northern Europe and The Iberian Peninsula||p. 584|
|Humanism and The Northern Renaissance||p. 586|
|Art for The French Ducal Courts||p. 587|
|Painting and Sculpture for the Chartreuse de Champmol||p. 588|
|Manuscript Illumination||p. 590|
|The Fiber Arts||p. 594|
|Painting in Flanders||p. 596|
|The Founders of the Flemish School||p. 596|
|Painting at Midcentury: The Second Generation||p. 604|
|Europe Beyond Flanders||p. 609|
|Spain and Portugal||p. 611|
|Germany and Switzerland||p. 613|
|The Graphic Arts||p. 614|
|Single Sheets||p. 614|
|Printed Books||p. 615|
|In Perspective||p. 616|
|Boxes the Object Speakshans Memlingrsquo;s Saint Ursula Reliquary||p. 608|
|Technique Woodcuts and Engraving on Metal||p. 615|
|Art and Its Context Altars and Altarpieces||p. 591|
|Women Artists in the Late Middle Ages and the Renaissance||p. 592|
|Renaissance Art in Fifteenth-Century Italy||p. 618|
|Humanism and The Italian Renaissance||p. 620|
|Mural Painting in Florence after Masaccio||p. 638|
|Italian Art in The Second Half of the Fifteenth Century||p. 640|
|The Later Fifteenth Century in Florence||p. 648|
|In Perspective||p. 655|
|Table of Contents provided by Publisher. All Rights Reserved.|