Introduction : art in context | p. 12 |
The late thirteenth and the fourteenth century | p. 47 |
The origins of the renaissance | p. 48 |
Rome : artists, popes, and cardinals | p. 56 |
Assisi and Padua : narrative realism | p. 67 |
Florence : traditions and innovations | p. 77 |
Siena : city of the Virgin | p. 99 |
Naples : art for a royal kingdom | p. 124 |
Venice : the most serene republic | p. 135 |
Pisa and Florence : morality and judgment | p. 152 |
Visconti Milan and Carrara Padua | p. 174 |
The fifteenth century | p. 203 |
Florence : commune and guild | p. 204 |
Florence : the Medici and political propaganda | p. 251 |
Rome : re-establishing papal power | p. 289 |
Venice : affirming the past and present | p. 313 |
Courtly art : the gothic and classic | p. 336 |
Sforza Milan | p. 362 |
The first half of the sixteenth century | p. 377 |
Lombardy : instability and religious fervor | p. 378 |
Florence : the renewed republic | p. 387 |
Rome : Julius II, Leo X, and Clement VII | p. 397 |
Mantua, Parma, and Genoa : the arts at court | p. 425 |
Florence : mannerism and the Medici | p. 437 |
Venice : vision and monumentality | p. 464 |
The later sixteenth century | p. 499 |
The Rome of Paul III | p. 500 |
The demands of the Council of Trent | p. 513 |
Northern Italy : reform and innovation | p. 527 |
Rome : a European capital city | p. 538 |
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