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Robert Neuman is Professor of Art History at Florida State University, where he specializes in early modern European art and architecture. He received his PhD from the University of Michigan, Ann Arbor. His scholarship ranges widely, encompassing all media including decorative arts, costume, and garden history. In addition to articles, book chapters, and review essays, he is the author of the book, Robert de Cotte and the Perfection of Architecture in Eighteenth-Century France. Several awards, including grants from the French government and the Millard Meiss Fund, have supported his research. Professor Neuman has been recognized for excellence in teaching with three major awards at Florida State.
In this Section:
1) Brief Table of Contents
2) Detailed Table of Contents
BRIEF TABLE OF CONTENTS:
Chapter 1: The Birth of Baroque Painting in Italy
Chapter 2: The Sacred and Secular in Painting in Seventeenth-Century Italy
Chapter 3: Italian Baroque Sculpture and the Bel Composto
Chapter 4: Baroque Architecture in Italy
Chapter 5: The Golden Age of Spain and Viceregal America
Chapter 6: The Human Figure in Dutch Seventeenth Century Painting
Chapter 7: Picturing Holland in the Dutch Republic’s Golden Age
Chapter 8: Flemish Baroque Painting in the Age of Rubens
Chapter 9: French Painting and Prints of the Seventeenth Century
Chapter 10: Baroque Architecture in France and England
Chapter 11: French Painting from the Regency to the Reign of Louis XV
Chapter 12: The Public and the Private in French Painting of the Enlightenment
Chapter 13: French Sculpture and Architecture in the Eighteenth Century
Chapter 14: The Georgian Panorama in British Painting and Prints
Chapter 15: Architecture and Gardens in Eighteenth-Century Britain
Chapter 16: Eighteenth-Century Austria, Germany, and Italy
DETAILED TABLE OF CONTENTS:
Chapter 1: The Birth of Baroque Painting in Italy
Rome
Bologna
Art for the Counter-Reformation Church
Patronage: The Pope and His Cardinals
Patronage: Religious Orders and Confraternities
Federico Barocci
The Carracci
Caravaggio
Public Religious Commissions
Chapter 2: The Sacred and Secular in Painting in Seventeenth-Century Italy
Italian Followers of Caravaggio
The Bolognese School
Guido Reni
Domenichino
Giovanni Lanfranco
Guercino
Elisabetta Sirani
Bernardo Strozzi and Salvator Rosa
Pietro da Cortona
Andrea Sacchi
Giovanni Battista Gaulli
Luca Giordano
Andrea Pozzo
Chapter 3: Italian Baroque Sculpture and the Bel Composto
Patronage: Urban VIII Barberini
Stefano Maderno
Pietro Bernini
Francesco Mochi
Gianlorenzo Bernini
François Duquesnoy
Alessandro Algardi
Chapter 4: Baroque Architecture in Italy
Baroque Architecture in Italy
Roman Urbanism under Sixtus V
Roman Urbanism under Alexander VII
The Church
Il Gesù, Rome
Francesco Borromini
Gianlorenzo Bernini
Baldassare Longhena
Guarino Guarini
Domestic Architecture
The Palazzo Interior
The Country House
Chapter 5: The Golden Age of Spain and Viceregal Spain
The Visual Arts
An Artist’s Life
Juan Sánchez Cotán
Francisco Ribalta
Jusepe de Ribera
Francisco de Zurbarán
Polychrome Sculpture
Diego Velázquez
Bartolomé Esteban Murillo
Juan de Valdés Real
Iberian Architecture
Latin American Architecture
Latin American Painting
Chapter 6: The Human Figure in Dutch Seventeenth Century Painting
The Utrecht Followers of Caravaggio
Frans Hals
Judith Leyster
Rembrandt
Chapter 7: Picturing Holland in the Dutch Republic’s Golden Age
Pioneers of Dutch Genre
Manners and Morals at Mid Century
Johannes Vermeer
Mirror of Nature: Landscape
Visions of the Sea
Public and Private Spaces: Architectural Painting
Depicting Prosperity: Still Life
The Decline of the Golden Age
Chapter 8: Flemish Baroque Painting in the Age of Rubens
Peter Paul Rubens
Anthony van Dyck
Jacob Jordaens
Still Life: Clara Peeters and Frans Snyders
Genre Scenes: Adriaen Brouwer and David Teniers the Younger
Chapter 9: French Painting and Prints of the Seventeenth Century
Jacques Bellange
Jacques Callot
Valentin de Boulogne
Georges de La Tour
Simon Vouet
The Le Nain Brothers
Philippe de Champaigne
Louise Moillon
Nicolas Poussin
Claude Lorrain
Charles Le Brun and the French Academy
Chapter 10: Baroque Architecture in France and England
France
The Place Royale
The Hôtel
The Château
The Palace
The Church
England and Inigo Jones
Christopher Wren
The Radiance of the Sun King
Architectural Models
Chapter 11: French Painting from the Regency to the Reign of Louis XV
Rubenism vs. Poussinism
Hyacinthe Rigaud and Nicolas de Largillierre
Antoine Watteau
Followers of Watteau
François Boucher
Chapter 12: The Public and the Private in French Painting of the Enlightenment
Face-Painting at Mid Century
Jean Siméon Chardin
Jean-Baptiste Greuze
Jean-Honoré Fragonard
Elisabeth-Louise Vigée-Le Brun
Chapter 13: French Sculpture and Architecture in the Eighteenth Century
Antoine Coysevox
Guillaume Coustou I
Etienne-Maurice Falconet
Jean-Baptiste Pigalle
Architecture Perfected
The Château
The Garden Palace
The Hôtel
New Projects for Versailles
The Rococo Interior
The Place Royale
The English Landscape Garden in France
Chapter 14: The Georgian Panorama in British Painting and Prints
William Hogarth
Thomas Gainsborough
Richard Wilson
Joseph Wright of Derby
Sir Joshua Reynolds
Constructing Social Identities: George Romney
George Stubbs
Chapter 15: Architecture and Gardens in Eighteenth-Century
Churches
The Baroque Country House
The Palladian Revival
The Gothic Revival
City Planning
The English Landscape Garden
Chapter 16: Eighteenth-Century Austria, Germany, and Italy
Architecture in Austria
Johann Bernhard Fischer von Erlach
Jakob Prandtauer
Architecture in Germany
Balthasar Neumann
François de Cuvilliés
Augustus the Strong
German Churches: Neumann and the Zimmermann
The Arts in Rome
Benedetto Luti
Corrado Giaquinto
Mariano Rossi
Giovanni Paolo Panini and Giovanni Battista Piranesi
Architecture in Rome
Architecture in Turin
Painting in Venice
Canaletto
Francesco Guardi
Roasalba Carriera
Pietro Longhi
Giovanni Battista Piazetta
Giambattista Tiepolo
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