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Basic Materials in Music Theory : A Programmed Course,9780130993335
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Basic Materials in Music Theory : A Programmed Course

by ;
Edition:
10th
ISBN13:

9780130993335

ISBN10:
0130993336
Format:
Paperback
Pub. Date:
1/1/2003
Publisher(s):
Prentice Hall
List Price: $84.60
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Summary

For one-semester, freshman-level courses in Basic Musicianship, Music Fundamentals, or Music Foundations; and for graduate courses in theory review. This classic, self-paced, auto-instructional introduction to music fundamentals allows students to work independently through a programmed format, allowing instructors to concentrate on the more creative aspects of their course. From the wealth of clearly laid-out lessons and exercises, students receive continual feedback and reinforcement as they work through the sequence at their own pace.

Table of Contents

Preface to the Tenth Edition vii
Preface to the Sixth Edition viii
To the Student ix
The Basic Materials of Music: Time and Sound
1(16)
Time and sound
Sound waves
Pitch
Intensity
Timbre
Harmonics
The harmonic series
Summary
10(1)
Mastery Frames
11(1)
Supplementary Activities
12(1)
Supplementary Assignments
13(2)
Ear-Training Activities
15(2)
The Notation of Pitch
17(42)
The staff
Notes: Symbols for tones
The basic scale
The treble clef
The bass clef
The C-clefs
Ledger lines
The grand staff
The ottava sign
Half steps and whole steps
Accidentals
Enharmonic notes
The chromatic scale
Pitch designations
Summary
48(1)
Mastery Frames
49(3)
Supplementary Activities
52(1)
Supplementary Assignments
53(4)
Ear-Training Activities
57(2)
Time Classification
59(28)
The beat
Meter
Simple and compound time
Borrowed divisions
Subdivisions of the beat
Summary
78(1)
Mastery Frames
79(1)
Supplementary Activities
80(1)
Supplementary Assignments
81(4)
Ear-Training Activities
85(2)
Note and Rest Values
87(36)
Relative value of notes and rests
The dot
Division of dotted and undotted notes and rests
Subdivision of dotted and undotted notes and rests
The unit in simple and compound time
Metronome indications
Terms that express tempo
Summary
111(2)
Mastery Frames
113(2)
Supplementary Activities
115(2)
Supplementary Assignments
117(4)
Ear-Training Activities for Chapters 4.0 and 5.0
121(2)
Time Signatures
123(32)
Time signatures in simple and compound time
Relation of time signatures to time classification
Common time
Alla breve
The tie
Rhythmic patterns
Syncopation
Summary
147(2)
Mastery Frames
149(1)
Supplementary Activities
150(1)
Supplementary Assignments
151(4)
Intervals
155(42)
Harmonic and melodic intervals
Numerical classification of intervals
Compound intervals
Classification of intervals by quality
Inversion of intervals
Enharmonic intervals
Summary
184(1)
Mastery Frames
185(1)
Supplementary Activities
186(1)
Supplementary Assignments
187(4)
Ear-Training Activities
191(6)
The Basic Scales
197(16)
Structure of the basic scales
Modes
The keynote
Summary
206(1)
Mastery Frames
207(1)
Supplementary Activities
208(1)
Supplementary Assignments
209(2)
Ear-Training Activities
211(2)
The Major Scale
213(16)
Structure of the major scale
Use of accidentals to form major scales on any note
Summary
222(1)
Mastery Frames
223(1)
Supplementary Activities
224(1)
Supplementary Assignments
225(2)
Ear-Training Activities
227(2)
The Minor Scales
229(34)
The natural minor scale
The harmonic minor scale
The melodic minor scale
Diatonic and chromatic intervals
Summary
253(2)
Mastery Frames
255(2)
Supplementary Activities
257(2)
Supplementary Assignments
259(2)
Ear-Training Activities
261(2)
Key Signatures
263(46)
Key and tonality
Major key signatures
Relative keys
Minor key signatures
Use of accidentals to form the various minor scales
The circle of fifths
Enharmonic keys
Parallel keys
Summary
297(2)
Mastery Frames
299(2)
Supplementary Activities
301(2)
Supplementary Assignments
303(4)
Ear-Training Activities
307(2)
Triads
309(40)
The tertian system
Basic triads
Major triads
Minor triads
Diminished triads
Augmented triads
Triads generated by major and minor scales
Summary
338(1)
Mastery Frames
339(3)
Supplementary Activities
342(1)
Supplementary Assignments
343(4)
Ear-Training Activities
347(2)
Appendix A: Piano Styles 349(12)
Appendix B: Orchestration Chart 361(4)
Glossary of Musical Terms 365(4)
Bibliography for Further Study 369(6)
Index 375(4)
About the Authors 379


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