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What is included with this book?
|The Best of the Best|
|The Silent Season of a Hero||p. 3|
|The Last American Hero||p. 23|
|Richard Ben Cramer|
|What Do You Think of Ted Williams Now?||p. 58|
|The Day Bobby Blew It||p. 90|
|Columns and Writing on Deadline|
|Sport for Art's Sake||p. 131|
|The Olympic Army||p. 135|
|Louis Knocks Out Schmeling||p. 138|
|Game Called||p. 140|
|All the Way to the Grave||p. 144|
|Next to Godliness||p. 147|
|Miracle of Coogan's Bluff||p. 150|
|Jim and His Baubles||p. 153|
|The Babe Was Always a Boy -- One of a Kind||p. 156|
|And All Dizzy's Yesterdays||p. 162|
|One Strike Is Out||p. 165|
|Sal Maglie . . . A Gracious Man||p. 170|
|Obit on the Dodgers||p. 174|
|If You're Expecting One-Liners||p. 178|
|Diane K. Shah|
|Oh, No! Not Another Boring Interview with Steve Carlton||p. 181|
|The LaMotta Nuptials||p. 184|
|"A Very Solid Book"||p. 187|
|Features and Longer Pieces|
|Lethal Lightning||p. 199|
|W. C. Heinz|
|Brownsville Bum||p. 204|
|Mr. Rickey and the Game||p. 219|
|W. C. Heinz|
|The Rocky Road of Pistol Pete||p. 236|
|The Ghost of the Gridiron||p. 253|
|Lone Wolf of Tennis||p. 265|
|"The Haig": Rowdy Rebel of the Fairways||p. 276|
|Racing's Angriest Young Man||p. 289|
|Hub Fans Bid Kid Adieu||p. 304|
|The Fight to Live||p. 318|
|A Rough Time on the Road||p. 340|
|The Longest Silence||p. 343|
|Hunter S. Thompson|
|The Kentucky Derby Is Decadent and Depraved||p. 355|
|Centre Court||p. 372|
|Gone for Good||p. 422|
|There Was Only One Casey||p. 451|
|No Mas||p. 461|
|Medora Goes to The Game||p. 466|
|The Rabbit Hunter||p. 478|
|The Boxer and the Blonde||p. 499|
|The September Song of Mr. October||p. 525|
|A Brother's Keeper||p. 542|
|Pure Heart||p. 548|
|The Making of a Goon||p. 564|
|The Power and the Gory||p. 574|
|Tangled Up in Blue||p. 593|
|The Chosen One||p. 611|
|Into Thin Air||p. 630|
|J. R. Moehringer|
|Resurrecting the Champ||p. 668|
|The One and Only|
|The Champ and the Chump||p. 699|
|Muhammad Ali Then and Now||p. 702|
|Weird Site for a Fight||p. 738|
|"Lawdy, Lawdy, He's Great"||p. 741|
|My Dinner with Ali||p. 747|
|Biographical Notes||p. 763|
|Notable Sports Writing and Sports Writers of the Century||p. 773|
|Table of Contents provided by Syndetics. All Rights Reserved.|
The Silent Season of a Hero
"I would like to take the great DiMaggio fishing," the old man said. "They say his father was a fisherman. Maybe he was as poor as we are and would understand."
- ERNEST HEMINGWAY, The Old Man and the Sea
IT WAS NOT quite spring, the silent season before the search for salmon, and the old fishermen of San Francisco were either painting their boats or repairing their nets along the pier or sitting in the sun talking quietly among themselves, watching the tourists come and go, and smiling, now, as a pretty gift paused to take their picture. She was about 25, healthy and blue-eyed and wearing a turtleneck sweater, and she had long, flowing blonde hair that she brushed back a few times before clicking her camera. The fishermen, looking at her, made admiring comments, but she did not understand because they spoke a Sicilian dialect; nor did she understand the tall gray-haired man in a dark suit who stood watching her from behind a big bay window on the second floor of DiMaggio's Restaurant that overlooks the pier.
He watched until she left, lost in the crowd of newly arrived tourists that had just come down the hill by cable car. Then he sat down again at the table in the restaurant, finishing his tea and lighting another cigarette, his fifth in the last half hour. It was 11:30 in the morning. None of the other tables was occupied, and the only sounds came from the bar, where a liquor salesman was laughing at something the headwaiter had said. But then the salesman, his briefcase under his arm, headed for the door, stopping briefly to peek into the dining room and call out, "See you later, Joe." Joe DiMaggio turned and waved at the salesman. Then the room was quiet again.
At 51, DiMaggio was a most distinguished-looking man, aging as gracefully as he had played on the ball field, impeccable in his tailoring, his nails manicured, his 6-foot-2 body seeming as lean and capable as when he posed for the portrait that hangs in the restaurant and shows him in Yankee Stadium, swinging from the heels at a pitch thrown 20 years ago. His gray hair was thinning at the crown, but just barely, and his face was lined in the right places, and his expression, once as sad and haunted as a matador's, was more in repose these days, though, as now, tension had returned and he chain-smoked and occasionally paced the floor and looked out the window at the people below. In the crowd was a man he did not wish to see.
The man had met DiMaggio in New York. This week he had come to San Francisco and had telephoned several times, but none of the calls had been returned because DiMaggio suspected that the man, who had said he was doing research on some vague sociological project, really wanted to delve into DiMaggio's private life and that of DiMaggio's former wife, Marilyn Monroe. DiMaggio would never tolerate this. The memory of her death is still very painful to him, and yet, because he keeps it to himself, some people are not sensitive to it. One night in a supper club, a woman who had been drinking approached his table, and when he did not ask her to join him, she snapped:
"All right, I guess I'm not Marilyn Monroe."
He ignored her remark, but when she repeated it, he replied, barely controlling his anger, "No - I wish you were, but you're not."
The tone of his voice softened her, and she asked, "Am I saying something wrong?"
"You already have," he said. "Now will you please leave me alone?"
His friends on the wharf, understanding him as they do, are very careful when discussing him with strangers, knowing that should they inadvertently betray a confidence, he will not denounce them but rather will never speak to them again; this comes from a sense of propriety not inconsistent in the man who also, after Marilyn Monroe's death, directed that fresh flowers be placed on her grave "forever."
Some of the older fishermen who have known DiMaggio all his life remember him as a small boy who helped clean his father's boat, and as a young man who sneaked away and used a broken oar as a bat on the sandlots nearby. His father, a small mustachioed man known as Zio Pepe, would become infuriated and call him lagnuso , lazy, meschino , good-for-nothing, but in 1936 Zio Pepe was among those who cheered when Joe DiMaggio returned to San Francisco after his first season with the New York Yankees and was carried along the wharf on the shoulders of the fishermen.
The fishermen also remember how, after his retirement in 1951, DiMaggio brought his second wife, Marilyn, to live near the wharf, and sometimes they would be seen early in the morning fishing off DiMaggio's boat, the Yankee Clipper , now docked quietly in the marina, and in the evening they would be sitting and talking on the pier. They had arguments, too, the fishermen knew, and one night Marilyn was seen running hysterically, crying, as she ran, along the road away from the pier, with Joe following. But the fishermen pretended they did not see this; it was none of their affair. They knew that Joe wanted her to stay in San Francisco and avoid the sharks in Hollywood, but she was confused and torn then - "She was a child," they said - and even today DiMaggio loathes Los Angeles and many of the people in it. He no longer speaks to his onetime friend, Frank Sinatra, who had befriended Marilyn in her final years, and he also is cool to Dean Martin and Peter Lawford and Lawford's former wife, Pat, who once gave a party at which she introduced Marilyn Monroe to Robert Kennedy, and the two of them danced often that night, Joe heard, and he did not take it well. He was possessive of her that year, his close friends say, because Marilyn and he had planned to remarry; but before they could she was dead, and DiMaggio banned the Lawfords and Sinatra and many Hollywood people from her funeral. When Marilyn Monroe's attorney complained that DiMaggio was keeping her friends away, DiMaggio answered coldly, "If it weren't for those friends persuading her to stay in Hollywood, she would still be alive."
Joe DiMaggio now spends most of the year in San Francisco, and each day tourists, noticing the name on the restaurant, ask the men on the wharf if they ever see him. Oh, yes, the men say, they see him nearly every day; they have not seen him yet this morning, they add, but he should be arriving shortly. So the tourists continue to walk along the piers past the crab vendors, under the circling sea gulls, past the fish-'n'-chip stands, sometimes stopping to watch a large vessel steaming toward the Golden Gate Bridge, which, to their dismay, is painted red. Then they visit the Wax Museum, where there is a life-size figure of DiMaggio in uniform, and walk across the street and spend a quarter to peer through the silver telescopes focused on the island of Alcatraz, which is no longer a federal prison. Then they return to ask the men if DiMaggio has been seen. Not yet, the men say, although they notice his blue Impala parked in the lot next to the restaurant. Sometimes tourists will walk into the restaurant and have lunch and will see him sitting calmly in a corner signing autographs and being extremely gracious with everyone. At other times, as on this particular morning when the man from New York chose to visit, DiMaggio was tense and suspicious.
When the man entered the restaurant from the side steps leading to the dining room, he saw DiMaggio standing near the window, talking with an elderly maitre d' named Charles Friscia. Not wanting to walk in and risk intrusion, the man asked one of DiMaggio's nephews to inform Joe of his presence. When DiMaggio got the message, he quickly turned and left Friscia and disappeared through an exit leading down to the kitchen.
Astonished and confused, the visitor stood in the hall. A moment later Friscia appeared and the man asked, "Did Joe leave?"
"Joe who?" Friscia replied.
"Haven't seen him," Friscia said.
"You haven't seen him! He was standing right next to you a second ago!"
"It wasn't me" Friscia said.
"You were standing next to him. I saw you. In the dining room."
"You must be mistaken," Friscia said, softly, seriously. "It wasn't me."
"You must be kidding" the man said angrily, turning and leaving the restaurant. Before he could get to his car, however, DiMaggio's nephew came running after him and said, "Joe wants to see you."
He returned, expecting to see DiMaggio waiting for him. Instead, he was handed a telephone. The voice was powerful and deep and so tense that the quick sentences ran together.
"You are invading my rights. I did not ask you to come. I assume you have a lawyer. You must have a lawyer, get your lawyer!"
"I came as a friend," the man interrupted.
"That's beside the point," DiMaggio said. "I have my privacy. I do not want it violated. You'd better get a lawyer...." Then, pausing, DiMaggio asked, "Is my nephew there?"
He was not.
"Then wait where you are."
A moment later DiMaggio appeared, tall and red-faced, erect and beautifully dressed in his dark suit and white shirt with the gray silk tie and the gleaming silver cuff links. He moved with his big steps toward the man and handed him an airmail envelope unopened that the man had written from New York.
"Here," DiMaggio said. "This is yours."
Then DiMaggio sat down at a small table. He said nothing, just lit a cigarette and waited, legs crossed, his head held high and back so as to reveal the intricate construction of his nose, a fine sharp tip above the big nostrils and tiny bones built out from the bridge, a great nose.
"Look," DiMaggio said, more calmly, "I do not interfere with other people's lives. And I do not expect them to interfere with mine. There are things about my life, personal things, that I refuse to talk about. And even if you asked my brothers, they would be unable to tell you about them because they do not know. There are things about me, so many things, that they simply do not know...."
"I don't want to cause trouble," the man said. "I think you're a great man, and ..."
"I'm not great," DiMaggio cut in. "I'm not great," he repeated softly. "I'm just a man trying to get along"
Then DiMaggio, as if realizing that he was intruding upon his own privacy, abruptly stood up. He looked at his watch.
"I'm late," he said, very formal again. "I'm 10 minutes late. You're making me late."
The man left the restaurant. He crossed the street and wandered over to the pier, briefly watching the fishermen hauling their nets and talking in the sun, seemingly very calm and contented. Then, after he turned and was headed back toward the parking lot, a blue Impala stopped in front of him and Joe DiMaggio leaned out the window and asked, "Do you have a car?" His voice was very gentle.
"Yes," the man said.
"Oh," DiMaggio said. "I would have given you a ride."
Joe DiMaggio was not born in San Francisco but in Martinez, a small fishing village 25 miles northeast of the Golden Gate. Zio Pepe had settled there after leaving Isola delle Femmine, an islet off Palermo where the DiMaggios had been fishermen for generations. But in 1915, hearing of the luckier waters off San Francisco's wharf, Zio Pepe left Martinez, packing his boat with furniture and family, including Joe, who was one year old.
San Francisco was placid and picturesque when the DiMaggios arrived, but there was a competitive undercurrent and struggle for power along the pier. At dawn the boats would sail out to where the bay meets the ocean and the sea is rough, and later the men would race back with their hauls, hoping to beat their fellow fishermen to shore and sell it while they could. Twenty or 30 boats would sometimes be trying to gain the channel shoreward at the same time, and a fisherman had to know every rock in the water, and later know every bargaining trick along the shore, because the dealers and restaurateurs would play one fisherman off against the other, keeping the prices down. Later the fishermen became wiser and organized, predetermining the maximum amount each fisherman would catch, but there were always some men who, like the fish, never learned, and so heads would sometimes be broken, nets slashed, gasoline poured onto their fish, flowers of warning placed outside their doors.
But these days were ending when Zio Pepe arrived, and he expected his five sons to succeed him as fishermen, and the first two, Tom and Michael, did; but a third, Vincent, wanted to sing. He sang with such magnificent power as a young man that he came to the attention of the great banker, A. P. Giannini, and there were plans to send him to Italy for tutoring and the opera. But there was hesitation around the DiMagglo household and Vince never went; instead, he played ball with the San Francisco seals and sports writers misspelled his name.
It was DiMaggio until Joe, at Vince's recommendation, joined the team and became a sensation, being followed later by the youngest brother, Dominic, who was also outstanding. All three later played in the big leagues, and some writers like to say that Joe was the best hitter, Dom the best fielder, Vince the best singer, and Casey Stengel once said: "Vince is the only player I ever saw who could strike out three times in one game and not be embarrassed. He'd walk into the clubhouse whistling. Everybody would be feeling sorry for him, but Vince always thought he was doing good."
After he retired from baseball Vince became a bartender, then a milkman, now a carpenter. He lives 40 miles north of San Francisco in a house he partly built, has been happily married for 34 years, has four grandchildren, has in the closet one of Joe's tailor-made suits that he has never had altered to fit, and when people ask him if he envies Joe he always says, "No, maybe Joe would like to have what I have." The brother Vincent most admired was Michael, "a big earthy man, a dreamer, a fisherman who wanted things but didn't want to take from Joe, or to work in the restaurant. He wanted a bigger boat, but wanted to earn it on his own. He never got it." In 1953, at the age of 44, Michael fell from his boat and drowned.
Since Zio Pepe's death at 77 in 1949, Tom at 62, the oldest brother - two of his four sisters are older - has become nominal head of the family and manages the restaurant that was opened in 1937 as Joe DiMaggio's Grotto. Later Joe sold out his share, and now Tom is the co-owner with Dominic. Of all the brothers, Dominic, who was known as the "Little Professor" when he played with the Boston Red Sox, is the most successful in business. He lives in a fashionable Boston suburb with his wife and three children and is president of a firm that manufactures fiber cushion materials and grossed more than $3,500,000 last year.
Excerpted from The BEST AMERICAN SPORTS WRITING of the Century Copyright © 1999 by Houghton Mifflin Company
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.