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Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing,9780240808543
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Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing


Author(s): Hinkel; Reeder
ISBN10:  0240808541
ISBN13:  9780240808543
Format:  Paperback
Pub. Date:  11/14/2006
Publisher(s): Elsevier Science & Technology

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SummaryTable of Contents
Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative
Process Printing bridges the world of traditional photographic printing with digital technology. A digital negative, prepared in Photoshop, allows you to skip the dark room time developing the negatives--getting straight to a variety of printing processes including silver, platinum, and a host of other "alternative" processes. You will see this as an opportunity to mix technology with traditional photo processes resulting in more time for your art! In the recent past, photographers that wanted digital negatives had to take their business to labs. Now all of you Photoshop users can incorporate this practice into your workflow of choice.

*Easy, quick start recommendations for specific supplies and instructions for making your first print quickly without all the details of calibrating digital negatives.
â?¢Offers expert instruction for the more advanced; much of the book will be focused on how to calibrate digital negatives, configure a digital darkroom, and fine tune prints from digital negatives
â?¢Adventurous, experimental techniques take printing using alternative processes into new options including toning, multiple printing, printing with ink and platinum, plus others.
acknowledgements ix
introduction
3(6)
basics of digital negatives
9(14)
Photographic Processes are Nonlinear
10(4)
Correction Curves
14(2)
Each Photographic Process is Different
16(1)
Many Different Photographic Processes
16(1)
Digital Negatives are Contact Printed
17(2)
The Workflow
19(4)
capturing the optimal image
23(18)
16-bit Mode
23(2)
Capturing an Optimal Image with a Digital Camera
25(3)
Processing Camera RAW Image Files
26(2)
Converting a Color Image to Black and White
28(3)
Capturing an Optimal Image on Film for Subsequent Scanning
31(3)
Scanning a Black-and-White Negative
33(1)
Basic Edits in Photoshop
34(7)
Black and White Point Adjustment
36(1)
Brightness Adjustment
36(1)
Contrast Adjustment
37(4)
a basic workflow for silver printing
41(24)
Preparing the Image
43(3)
Printing the Negative on the Epson 2200
46(6)
Printer Setup Checklist
50(2)
Printing the Silver Image in the Darkroom
52(13)
Exposing the Photo Paper
52(2)
Processing the Print
54(7)
Things to Know about Processing Silver/Gelatin Prints
61(1)
Variations
62(3)
making a palladium print from a digital negative
65(26)
Preparing the Image
67(3)
Printing a Negative on the Epson 2200
70(7)
Coating the Paper
77(4)
Exposing the Print
81(2)
Developing the Exposed Print
83(2)
Variations and Fine-Tuning
85(6)
exposure
91(12)
Light Sources
91(5)
Visible Light Sources
92(2)
UV Light Sources
94(2)
Exposure
96(4)
Steps for Determining the Base Exposure
97(3)
A Tool for Consistent Visible Light Exposures
100(3)
making correction curves for digital negatives
103(18)
A Good Step Tablet Print
104(2)
Making a Good Scan
106(1)
Adjust the Scanned Image to Full Contrast
107(3)
Read the Values from the Scanned Image
110(3)
Creating the Correction Curve
113(4)
Tweaking the Curve
117(1)
Testing Correction Curves
118(3)
monitor soft proofing
121(18)
Basic Color Management
123(4)
Soft Proofing
127(1)
Creating the Soft Proof Adjustment Layer
127(10)
Using the Soft Proof
137(2)
about printers
139(6)
Our Recommendations
139(2)
Printer Inks
141(1)
About Media
142(3)
using the QuadTone RIP
145(32)
A Brief Introduction to Printer Drivers
146(1)
Will You See a Difference in Print Quality if You Use QTR?
147(1)
Downloading and Installing QTR (Mac)
148(3)
Printing a Digital Negative with QTR (Mac)
151(1)
QTR Dialog Window Set for UC Pictorico
152(2)
Testing and Fine-Tuning a QTR Profile
154(1)
How to Create and Modify Your Own QTR Profiles
155(1)
Step 1: Open and Rename a Pre-Existing QTR Profile
155(1)
Step 2: Alter the Pre-Existing Profile according to `Best Guesses'
156(4)
Step 3: Determine the Default Ink Limit
160(1)
Step 4: Roughly Linearize the Midtones Using Gray Highlight, Gray Shadow, and Gray Gamma
161(1)
Step 5: Complete Linearization with Gray Curve
162(1)
Step 6: Test the New QTR Profile and Fine-Tune if Needed
163(2)
QTR Profiles for Printers Using Different Inksets
165(1)
Some Things that Can Go Wrong
166(1)
Acknowledgments
166(1)
PC Settings
167(1)
Downloading and Installing QTR (PC)
167(3)
Printing a Digital Negative with QTR (PC)
170(3)
Editing a QTR Profile (PC)
173(4)
manipulatory miseries
177(12)
Problems with the Image File
178(3)
Printer Drivers
181(4)
Printing Negatives in Colors Other Than Black and White
183(1)
Sharpness
184(1)
Printer Banding
184(1)
Graininess
185(4)
adding color to a platinum/palladium print
189(16)
Colorizing a Black-and-White Image
190(4)
Making a Color Separation
194(4)
Printing the Color Separation
198(2)
Making a Full-Size Contact Negative
200(5)
resources for alternative process 205(6)
index 211

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