| Editor's Introduction |
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ix | |
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From Permanent Red (1960) (US title Toward Reality) |
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Preface to the 1979 Edition |
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3 | (3) |
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6 | (4) |
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10 | (5) |
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15 | (3) |
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18 | (2) |
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20 | (2) |
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22 | (3) |
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25 | (3) |
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28 | (3) |
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31 | (4) |
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35 | (3) |
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38 | (3) |
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The Clarity of the Renaissance |
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41 | (3) |
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The Calculations of Piero |
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44 | (4) |
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48 | (4) |
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Watteau as the Painter of His Time |
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52 | (3) |
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55 | (3) |
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The Dilemma of the Romantics |
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58 | (3) |
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61 | (2) |
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63 | (2) |
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65 | (6) |
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From The Moment of Cubism (1969) |
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71 | (22) |
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The Historical Function of the Museum |
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93 | (5) |
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The Changing View of Man in the Portrait |
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98 | (5) |
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103 | (5) |
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108 | (9) |
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Nude in a Fur Coat: Rubens |
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117 | (5) |
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The Painter in His Studio: Vermeer |
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122 | (4) |
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Et in Arcadia Ego: Poussin |
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126 | (4) |
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The Maja Dressed and The Maja Undressed: Goya |
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130 | (4) |
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134 | (4) |
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138 | (6) |
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Henri de Toulouse-Lautrec |
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144 | (3) |
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147 | (4) |
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151 | (5) |
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156 | (6) |
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162 | (9) |
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From The Look of Things (1972) |
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171 | (4) |
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175 | (3) |
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178 | (3) |
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181 | (5) |
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186 | (5) |
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191 | (3) |
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194 | (12) |
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Thicker than Water (Corot) |
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206 | (4) |
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210 | (5) |
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Understanding a Photograph |
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215 | (4) |
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The Political Uses of Photo-Montage |
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219 | (5) |
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224 | (6) |
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230 | (8) |
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Past Seen from a Possible Future |
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238 | (8) |
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The Nature of Mass Demonstrations |
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246 | (7) |
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Speech on Accepting the Booker Prize for Fiction (1972) |
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253 | (6) |
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From About Looking (1980) |
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259 | (15) |
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The Suit and the Photograph |
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274 | (5) |
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279 | (3) |
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282 | (4) |
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286 | (8) |
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The Primitive and the Professional |
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294 | (4) |
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298 | (7) |
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Seker Ahmet and the Forest |
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305 | (5) |
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310 | (5) |
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Francis Bacon and Walt Disney |
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315 | (5) |
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320 | (5) |
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325 | (5) |
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330 | (6) |
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Turner and the Barber's Shop |
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336 | (5) |
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Rouault and the Suburbs of Paris |
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341 | (4) |
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Magritte and the Impossible |
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345 | (5) |
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350 | (4) |
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354 | (7) |
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From The White Bird (1985) (US title The Sense of Sight) |
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361 | (4) |
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365 | (5) |
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370 | (5) |
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375 | (7) |
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The Theatre of Indifference |
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382 | (5) |
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Modigliani's Alphabet of Love |
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387 | (6) |
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393 | (6) |
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399 | (4) |
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Ernst Fischer: A Philosopher and Death |
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403 | (10) |
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Francois, Georges and Amelie: A Requiem in Three Parts |
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413 | (6) |
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419 | (5) |
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424 | (6) |
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430 | (6) |
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Mayakovsky: His Language and His Death [with Anya Bostock] |
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436 | (9) |
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445 | (8) |
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453 | (6) |
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The Production of the World |
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459 | (8) |
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The First and Last Recipe: Ulysses (1991) |
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467 | (6) |
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From Keeping a Rendezvous (1992) |
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473 | (1) |
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Ev'ry Time We Say Goodbye |
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474 | (9) |
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483 | (6) |
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489 | (4) |
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493 | (5) |
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498 | (18) |
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516 | (6) |
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522 | (5) |
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527 | (6) |
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533 | (3) |
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536 | (5) |
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541 | (9) |
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550 | (4) |
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554 | (5) |
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559 | (6) |
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565 | (5) |
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The Soul and the Operator |
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570 | (6) |
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The Third Week of August, 1991 |
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576 | (7) |
| Appendices |
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| Notes |
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583 | (4) |
| Sources |
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587 | |
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