Navigate: (use the links to quickly navigate your virtual bookstore)

Mad Merlin told the story from a god's point of view.

Lancelot Du Lether told the story from a lover's point of view.

Now in the third volume of J. Robert King's critically acclaimed Arthurian triptych focuses on a woman of Avalon--Morgan le Fey.

Part female Hamlet, part mystical Lady Macbeth, this daughter of a slain king must become an Arthurian Joan of Arc for all women when her position in society and royal lineage place her in direct opposition to all that Arthur must accomplish ... not just for Camelot but for all mankind.

J. Robert King is an Origins Award-winning author for his gaming fiction. Le Morte D'Avalon concludes his Arthurian trilogy that also includes Mad Merlin and Lancelot Du Lethe. He lives in Burlington, Wisconsin.

The strong conclusion to King's fantasy trilogy recasting Arthurian myth (after Mad Merlin and Lancelot Du Lethe) tells the story of Morgan le Fey, Arthur's half-sister, onetime lover and sworn enemy. As a six-year-old, Morgan watched as her father prepared to fight Uther, the man who would slay him, marry her mother and provide her with her half-brother Arthur. And she had the vision that would motivate her every action from that day forward: Arthur as the antlered boy, the son of war, whom she must oppose if Britannia is ever to know peace. More than anything else-the deft writing, the astounding battles or the intellectual thrill of relating King's unique slant on Arthurian legend to other writers' versions-it is that vision that makes this novel special. Morgan becomes and remains a sympathetic figure, no matter how atrocious her actions. Whatever damage she wreaks in the battle for Camelot, there remains in her something of the precious and precocious young girl who had an ecstatic vision of a beauty so great, and a future so dire, that she must do whatever was in her power to midwife the one while preventing the other. (Sept. 10) Copyright 2003 Reed Business Information.