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9780819567383

American Science Fiction Tv

by
  • ISBN13:

    9780819567383

  • ISBN10:

    0819567388

  • Format: Paperback
  • Copyright: 2005-01-10
  • Publisher: Wesleyan Univ Pr
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Summary

From "The Next Generation" and "The X-Files" to "Farscape" and "Enterprise," science fiction television shows have millions of devoted fans. American Science Fiction TV is the first full-length study of this popular genre. Writing with the clarity of a scholar and the enthusiasm of a fan, Jan Johnson-Smith shows how science fiction television has displaced the Western in the American cultural imagination. As advances in special effects have made science fiction television technically feasible on a more lavish scale than ever before, visual style has become as important as narrative--sometimes even more important--in expressing the meaning of the genre. The main part of the book uses case studies of several key science fiction series, including "Space: Above and Beyond," "StarGate SG-1," and "Babylon 5," to exemplify particular narrative patterns and visual styles. The case studies explore themes such as politics, ideology, race and ethnicity, gender difference, militarism, and the use of science fiction narratives as allegories of present-day social and political concerns. American Science Fiction TV opens an important new area of genre studies and will be of interest to scholars and fans alike.

Author Biography

JAN JOHNSON-SMITH is Senior Lecturer in Film and Television Theory at Bournemouth University's Media School in the U.K.

Table of Contents

Acknowledgements ix
Introduction 1(1)
Science fiction
2(1)
Television
3(1)
Mytho-history
4(2)
New images
6(1)
Content
7(8)
PART ONE -- SCIENCE FICTION IN CONTEXT
Science Fiction
15(24)
Questions of genre
17(2)
Creating worlds
19(2)
Formalism and Realism
21(2)
Defamiliarisation and estrangement
23(2)
The novum
25(4)
Postmodernism
29(1)
Metalinguistics and neologisms
30(4)
Themes
34(2)
The Gothic and the Sublime
36(3)
Histories: The American West, Television and Televisuality
39(38)
The final frontier
41(1)
Creating a destiny
42(2)
Mise-en-scene and special effects
44(3)
Looking forwards
47(1)
Television
48(2)
Locating television
50(1)
Repetition
51(1)
Narrative forms
52(2)
Suspense
54(2)
SF on television
56(4)
Televisuality
60(2)
Style
62(2)
Boutique productions
64(3)
Narrative patterns
67(2)
The critical spectator
69(2)
New ways of viewing new narrative forms
71(6)
PART TWO -- THE SERIES
Yesterday's Enterprise: Representation, Ideology and Language in Star Trek
77(42)
The series
77(3)
Gender in space
80(2)
Race in space
82(2)
Echoes of the West: Native Americans
84(2)
Aliens
86(7)
Utopian futures
93(3)
Star Trekking: Narrative
96(6)
Language
102(4)
Imagery
106(3)
Nautical families
109(6)
Narrative ideology
115(4)
The Sacrifice of Angels: Military History and Ideology
119(34)
Alien invasion
120(3)
Sedition
123(2)
The legacy of Vietnam
125(3)
The Green Berets
128(3)
Film and television
131(2)
Space: Above and Beyond
133(2)
Colonialism
135(2)
Genre: Science fiction or war?
137(1)
Representation and character
138(4)
Learning from military history
142(1)
Defining moments
143(4)
Predestination and free will
147(3)
Creating an ideological break
150(3)
Wormhole X-Treme! Images of Time and Space
153(32)
Space travel
154(3)
Parallel worlds
157(4)
Farscape
161(5)
Looking backwards
166(5)
Rewriting history
171(2)
Event Horizons
173(5)
SFX and CGI
178(2)
Shifting modes
180(5)
Babylon 5: Between the Darkness and the Light
185(66)
Philosophical and narrative strategies
190(3)
Story arcs
193(2)
History
195(3)
Ideology
198(5)
History and science fiction as context
203(6)
Popular culture as context
209(3)
The confused citadel
212(4)
Foreshadowing
216(2)
Narrative complexity
218(4)
Sheridan and destiny
222(5)
Different choices
227(3)
Order and structure
230(5)
Verbal and visual imagery
235(5)
The Sublime
240(2)
Titles and music
242(3)
A new epic, a new ideology
245(6)
Conclusion 251(4)
Notes 255(30)
Bibliography 285(14)
Index 299

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