Endearing, infuriating, and utterly irresistible, Lamar Kerry is a twenty-seven-year-old Ordinary White Boy. He wears khaki pants, work boots, and flannel shirts; dances like Mick Jagger when he dances at all (only when drunk); and when in doubt, he reaches for a beer. His father sent him to college expecting him to become extraordinary, but Lamar returned home a bright, cocky, over-educated, middle-class boy adrift in a depressed, comatose, working-class town.
Now the town's only Hispanic is missing and feared dead, Lamar's mother is enfeebled by MS, and both his girlfriend and his father are tired of being disappointed in him. Can Lamar turn himself into a professor of "racist remediation" and save the soul of his town? Can he stop hiding out in his ordinariness and do what is right by his father, his mother, his girlfriend, and himself? Can this ordinary white boy finally become a man?
With a character both unforgettably unique yet universal, in a voice both tender and biting, Clarke mixes subtle social criticism with laugh-out-loud funny observations and introduces to literature the ordinary white boy in all of us.
An over-educated young man in a depressed, working-class town, Lamar Kerry faces a host of challenges as he deals with his mother's chronic illness, his father's disappointment in him, and the responsibilities of becoming an adult.
Brock Clarke is an assistant professor of English and creative writing at the University of Cincinnati. His fiction and nonfiction have appeared in numerous reviews and journals, and his short-story collection, What We Won't Do, won the Mary McCarthy Prize in Short Fiction. He lives with his wife and son in Cincinnati, Ohio.
When Thomas Pilsner, president of the down-on-its-luck Settler's Club, finds that he is implicated in the suspicious deaths of two club members and asks Regan Reilly to investigate, can she possibly say no? Reilly's fifth outing. Copyright 2001 Cahners Business Information.
Lamar Carney is a 27-year-old college graduate, and though his family expected him to do something extraordinary with his life, he can't seem to work up the ambition to do so. After college he returns to his upstate New York home and rents an apartment one mile from his parents. He takes a part-time job working for his father at the local newspaper and finds an ordinary girl in town, who strongly encourages him to grow up. Ignoring her plea, Lamar takes off on a road trip with his buddy Andrew. In the process of running away, he comes to terms with being ordinary and returns home to get on with it. In his first novel, Clarke (English and creative writing, Clemson Univ.) dishes up an insightful philosophy about innocence and guilt, bravery and cowardice, substance and dramaall couched in the whining, immature voice of a spoiled brat. The writing is clever, entertaining, and sadly accurate. Recommended.Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence Copyright 2001 Cahners Business Information.
This first novel has a familiar protagonist and setting: a bright youth trying to come to terms with life in a depressed and depressing little town in upstate New York. Clarke is no Richard Russo or Russell Banks, however, both of whom have done comic and poignant wonders with similar material. Twenty-seven-year-old Lamar Kerry is still living at home in Little Falls, a mile from his weak-kneed newspaper editor father and his multiple sclerosis-afflicted mother. His girlfriend, Glori, works as a school secretary; his best friend, Andrew, is planning, rather nervously, to become a prison guard at the new jail (at least the pay is good), and Lamar hangs around his father's newspaper office doing odd reporting jobs. The community is nonplussed when jeweler Mark Ramirez, the only Latino in town, goes missing and racial motives are suspected. For a time it looks as if this may stir Lamar into action, but when he interviews community members about their reactions to the crime, he realizes that he is as myopic as they are, and he proves hopelessly inept when Ramirez's wife reaches out to him for help. In the end Lamar does nothing much. He and Glori fumble along in their relationship; he and Andrew go on a drunken, self-destructive road trip. The mystery of the murder is solved in a way that absolves the town from its racism. And Lamar plans to go on hiding his head in the sand. This rather dull tale could have been redeemed by a genuinely comic vision, or some lively characterizations, but Clarke's style (which tends towards ending chapters with lines like "So that's what I do.") is as flat as life in Little Falls. Despite his would-be wise-guy perceptions and underlying decency, Lamar kindles few sparks. National advertising; 9-city East Coast author tour. (Sept.) Copyright 2001 Cahners Business Information.
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