Gilver Memmer is running short of time. He is an enormously gifted painter, staggeringly good-looking, and profoundly self-involved, a cross between every woman's dream and every woman's worst nightmare. Great though his creative gifts may be, they cannot save him from dissolution. No longer the London art scene's wunderkind, he is getting by on the fumes of his former luck and sliding inexorably-though with a certain self-destructive elegance-toward oblivion. Into Gilver's life come two women: one who wants to push him into the grave he has been digging for himself and another who just might save him from it.
An enormously gifted painter, staggeringly good looking, and profoundly self-absorbed, Gilver Memmer is a cross between every woman's dream and every woman's nightmare, but as his popularity fades and he begins a fall from grace, two women come into his life, one who wants to push him to the grave he has begun to dig for himself and the other who wants to save him from it. Original. 35,000 first printing.PHILIPPA STOCKLEY is the author of A Factory of Cunning. A deputy editor at the Evening Standard, she lives in London.
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