| Preface |
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xxi | |
| Introduction |
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xxiii | |
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1 | (34) |
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1 | (1) |
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2 | (2) |
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Film and Video: The Old Way |
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2 | (1) |
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Working with Picture and Sound |
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3 | (1) |
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3 | (1) |
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4 | (8) |
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The Many Parts of Your System |
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5 | (4) |
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9 | (3) |
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12 | (2) |
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The Avid Interface on Your Computer |
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14 | (10) |
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14 | (2) |
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16 | (1) |
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17 | (1) |
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17 | (1) |
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17 | (1) |
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18 | (1) |
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Source Monitor or Pop-up Monitor |
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18 | (1) |
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19 | (1) |
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20 | (1) |
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21 | (1) |
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21 | (1) |
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22 | (1) |
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23 | (1) |
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23 | (1) |
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23 | (1) |
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23 | (1) |
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24 | (1) |
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Starting an Editing Session |
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25 | (5) |
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26 | (2) |
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Adding Shots to Your Sequence |
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28 | (2) |
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Ending an Editing Session |
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30 | (5) |
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Script for ``Wanna Trade'' |
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31 | (4) |
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35 | (20) |
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35 | (1) |
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Starting Your Second Editing Session |
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36 | (1) |
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36 | (2) |
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37 | (1) |
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38 | (1) |
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38 | (1) |
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39 | (8) |
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Selecting and Deselecting Tracks |
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39 | (1) |
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40 | (1) |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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Scaling and Scrolling the Timeline |
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42 | (2) |
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Additional Timeline Controls in the Media Composer |
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44 | (1) |
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45 | (1) |
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45 | (1) |
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Marking Clips in the Timeline |
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46 | (1) |
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47 | (6) |
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47 | (3) |
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50 | (1) |
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It Takes Three Marks to Make an Edit |
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50 | (1) |
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51 | (1) |
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51 | (2) |
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53 | (1) |
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53 | (2) |
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55 | (26) |
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55 | (1) |
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56 | (7) |
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56 | (1) |
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57 | (1) |
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57 | (2) |
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Changing the Default View |
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59 | (1) |
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59 | (2) |
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61 | (1) |
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61 | (1) |
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62 | (1) |
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63 | (2) |
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63 | (1) |
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64 | (1) |
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64 | (1) |
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65 | (1) |
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Deleting Sequences and Clips |
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66 | (2) |
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67 | (1) |
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Settings: Have It Your Way |
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68 | (11) |
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68 | (3) |
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71 | (1) |
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72 | (2) |
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74 | (3) |
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77 | (1) |
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The Media Composer's Composer Settings |
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78 | (1) |
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79 | (1) |
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79 | (2) |
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81 | (22) |
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82 | (9) |
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82 | (1) |
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Media Composer Trim Modes |
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83 | (1) |
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84 | (1) |
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84 | (1) |
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85 | (3) |
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88 | (3) |
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91 | (2) |
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Changing from Single-Roller to Dual-Roller Trim Mode |
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92 | (1) |
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92 | (1) |
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Adding Tracks for Trimming |
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92 | (1) |
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Adding and Removing Rollers |
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93 | (1) |
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Advanced Trim Mode Techniques |
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93 | (6) |
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93 | (2) |
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Trim One Side, Then the Other |
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95 | (1) |
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Using the Keyboard, Not the Mouse |
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96 | (1) |
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96 | (1) |
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97 | (1) |
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Picture and Sound Overlaps |
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97 | (2) |
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99 | (1) |
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Sync Problems in Single-Roller Trim Mode |
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99 | (1) |
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Enter Trim Mode on Selected Tracks |
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100 | (1) |
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101 | (1) |
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101 | (1) |
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Advanced Trim While Watching |
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102 | (1) |
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102 | (1) |
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103 | (34) |
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Screening a Work in Progress |
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103 | (2) |
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105 | (1) |
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106 | (1) |
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106 | (3) |
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109 | (2) |
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111 | (5) |
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Items Found in Media Composer Bin Menu and Not in Xpress Bin Menu |
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116 | (1) |
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117 | (4) |
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Items Found in Media Composer Clip Menu and Not in Xpress Clip Menu |
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121 | (1) |
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Output Menu (Media Composer Only) |
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122 | (1) |
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Special Menu (Media Composer Only) |
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123 | (2) |
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Tools Menu: Xpress and Media Composer |
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125 | (4) |
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129 | (2) |
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131 | (1) |
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132 | (1) |
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132 | (1) |
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Tracking and Monitor Menus |
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132 | (3) |
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132 | (2) |
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134 | (1) |
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135 | (1) |
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136 | (1) |
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137 | (26) |
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137 | (2) |
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Getting Your Tapes into the Computer |
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139 | (1) |
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Tape Formats---Digital and Analog |
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139 | (1) |
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140 | (1) |
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140 | (1) |
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Connecting Your Equipment |
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141 | (1) |
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142 | (2) |
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143 | (1) |
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144 | (1) |
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144 | (1) |
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144 | (1) |
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145 | (2) |
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146 | (1) |
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Xpress DV---Connecting a Camera or Deck for the First Time |
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146 | (1) |
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147 | (1) |
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Opening the Record/Digitize Tool |
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147 | (1) |
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147 | (2) |
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Configuring the Record/Digitize Tool |
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149 | (3) |
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If the Avid Says ``No Deck'' |
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152 | (1) |
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152 | (1) |
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153 | (1) |
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Xpress DV Editors---Go to the Recording Process |
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153 | (1) |
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Setting Video and Audio Levels |
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153 | (3) |
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154 | (1) |
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155 | (1) |
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156 | (4) |
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157 | (1) |
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Batch Digitizing Your Logged Clips |
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158 | (1) |
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Recording/Digitizing Each Clip As You Mark It |
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158 | (1) |
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Recording/Digitizing ``On-the-Fly'' |
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159 | (1) |
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Digitizing Material without Timecode |
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160 | (1) |
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161 | (1) |
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162 | (1) |
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163 | (26) |
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163 | (1) |
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164 | (1) |
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Monitoring Only One Track |
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164 | (1) |
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165 | (1) |
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165 | (1) |
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Selecting the Tracks for Scrubbing |
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166 | (1) |
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166 | (1) |
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166 | (1) |
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166 | (2) |
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168 | (1) |
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168 | (1) |
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169 | (5) |
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Mixing Tool with Audio Tool |
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170 | (1) |
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171 | (1) |
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171 | (1) |
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171 | (2) |
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Changing Volume and Panning on Multiple Clips |
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173 | (1) |
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174 | (3) |
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Placing Key Frames Manually |
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174 | (2) |
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Placing Key Frames Automatically |
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176 | (1) |
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177 | (4) |
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178 | (1) |
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178 | (1) |
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179 | (1) |
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When to Use the Different Audio Tools |
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180 | (1) |
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181 | (1) |
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181 | (1) |
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Using Trim Mode to Fine-Tune the Audio |
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182 | (1) |
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Other Audio Techniques to Fix Problems |
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183 | (2) |
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Using the Clipboard to Fix Audio |
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184 | (1) |
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184 | (1) |
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185 | (1) |
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Media Composer: Rearrange Tracks |
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186 | (1) |
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186 | (1) |
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187 | (2) |
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189 | (20) |
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189 | (8) |
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Extract/Splice Segment Mode Button |
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190 | (2) |
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Lift/Overwrite Segment Mode Button |
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192 | (2) |
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Moving Sound to Different Tracks |
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194 | (1) |
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Lassoing to Get into Segment Mode |
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195 | (1) |
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Delete Segments with Segment Mode |
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196 | (1) |
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Trimming in Two Directions |
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197 | (3) |
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199 | (1) |
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200 | (1) |
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200 | (4) |
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200 | (2) |
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202 | (2) |
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Media Composer and Xpress |
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204 | (3) |
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204 | (1) |
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205 | (2) |
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207 | (2) |
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Media Composer and Xpress Users |
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208 | (1) |
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209 | (22) |
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209 | (1) |
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210 | (1) |
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Creating Your First Title |
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211 | (1) |
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211 | (1) |
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212 | (1) |
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213 | (1) |
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Cutting Titles into Your Sequence |
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213 | (6) |
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Xpress DV RealTime Effects Button |
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215 | (2) |
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217 | (1) |
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Adjusting Your Title's Length |
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217 | (1) |
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Adding Fades to Your Title |
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218 | (1) |
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219 | (1) |
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220 | (1) |
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Creating Title Style Sheets |
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221 | (1) |
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222 | (1) |
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223 | (1) |
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224 | (1) |
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225 | (1) |
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225 | (1) |
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226 | (1) |
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227 | (1) |
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227 | (1) |
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227 | (1) |
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228 | (1) |
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228 | (1) |
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Cutting in Rolling Titles |
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229 | (1) |
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229 | (1) |
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230 | (1) |
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230 | (1) |
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231 | (24) |
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232 | (1) |
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232 | (1) |
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233 | (3) |
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Xpress DV RealTime Effects Button |
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235 | (1) |
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235 | (1) |
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236 | (1) |
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Third-Party Plug-In Effects |
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236 | (1) |
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237 | (7) |
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Opening the Effect Editor |
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238 | (2) |
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240 | (4) |
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244 | (1) |
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244 | (1) |
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244 | (1) |
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245 | (1) |
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Saving an Effect as a Template |
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245 | (1) |
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246 | (1) |
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246 | (2) |
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247 | (1) |
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248 | (1) |
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248 | (1) |
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248 | (1) |
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249 | (1) |
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Rendering Multiple Effects |
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249 | (1) |
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Waiting for Effects to Render |
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249 | (1) |
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250 | (2) |
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252 | (2) |
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254 | (1) |
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254 | (1) |
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255 | (10) |
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If It's a Computer, It Will Crash |
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255 | (1) |
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256 | (2) |
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258 | (1) |
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258 | (1) |
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Copy User Settings to a CD or Zip Disk |
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258 | (1) |
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259 | (1) |
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Retrieving a File from the Attic |
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260 | (1) |
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261 | (1) |
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261 | (2) |
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Batch Recording Offline Material |
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262 | (1) |
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263 | (1) |
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263 | (2) |
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265 | (14) |
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265 | (1) |
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The Source of Your Problems |
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266 | (1) |
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266 | (1) |
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Many Tracks Mean Many Sync Problems |
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267 | (1) |
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268 | (2) |
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269 | (1) |
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270 | (1) |
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Editing Tricks to Stay in Sync |
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270 | (3) |
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Trimming in Two Directions: A Review |
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270 | (2) |
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272 | (1) |
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273 | (1) |
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273 | (4) |
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277 | (1) |
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278 | (1) |
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279 | (26) |
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279 | (1) |
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280 | (1) |
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281 | (2) |
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Computer versus Television |
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283 | (1) |
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283 | (1) |
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DV Aspect Ratio and Pixels |
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284 | (1) |
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284 | (1) |
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284 | (3) |
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285 | (1) |
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286 | (1) |
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286 | (1) |
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286 | (1) |
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287 | (4) |
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Creating a Photoshop File |
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287 | (2) |
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Importing Audio from a CD |
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289 | (1) |
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290 | (1) |
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Importing Other File Types |
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291 | (1) |
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292 | (1) |
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293 | (1) |
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293 | (3) |
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Exporting a Graphic Image |
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295 | (1) |
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Exporting a QuickTime Movie |
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296 | (8) |
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298 | (2) |
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Exporting Audio to a Digital Audio Work Station |
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300 | (2) |
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Exporting Other File Types |
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302 | (2) |
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304 | (1) |
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16:9 Widescreen Television |
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305 | (16) |
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Where the Numbers Come From |
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305 | (1) |
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Standard NTSC Video---Not Big Enough |
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305 | (1) |
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The Root of the Format Problem |
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306 | (1) |
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307 | (2) |
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307 | (1) |
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308 | (1) |
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308 | (1) |
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309 | (3) |
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309 | (1) |
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310 | (1) |
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Anamorphic Film-to-Tape Transfer |
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310 | (1) |
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311 | (1) |
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312 | (1) |
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312 | (2) |
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313 | (1) |
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313 | (1) |
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314 | (5) |
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Creating a 4:3 Letterbox Version (Media Composer Only) |
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314 | (1) |
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Creating a 4:3 Letterbox Version (Xpress and Xpress DV) |
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315 | (1) |
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Creating a 4:3 Pan & Scan Version for a Standard TV |
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316 | (1) |
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316 | (2) |
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318 | (1) |
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319 | (1) |
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319 | (2) |
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321 | (26) |
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321 | (1) |
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322 | (1) |
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322 | (1) |
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323 | (1) |
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323 | (2) |
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325 | (1) |
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Linking Clips to the Script |
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325 | (1) |
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326 | (2) |
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328 | (1) |
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329 | (1) |
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329 | (1) |
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330 | (1) |
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330 | (1) |
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Deleting Takes and Slates |
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330 | (1) |
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Loading and Playing Takes |
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331 | (1) |
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331 | (2) |
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333 | (2) |
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335 | (1) |
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A Faster Way to Place Script Marks |
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336 | (1) |
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337 | (1) |
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337 | (1) |
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337 | (1) |
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338 | (1) |
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339 | (1) |
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339 | (1) |
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340 | (1) |
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341 | (1) |
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Identifying the Preferred Take |
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341 | (1) |
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342 | (1) |
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342 | (1) |
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342 | (1) |
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342 | (1) |
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343 | (4) |
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Script for ``Gaffer's Delight'' |
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343 | (4) |
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|
347 | (26) |
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|
347 | (1) |
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348 | (3) |
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Deleting Unreferenced Precomputes |
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|
348 | (2) |
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350 | (1) |
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Xpress DV Users Can Skip Ahead |
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351 | (1) |
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351 | (1) |
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Deleting Your Low-Resolution Media |
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351 | (2) |
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Preparing to Redigitize Your Sequence |
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353 | (1) |
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Redigitizing Your Sequence |
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353 | (1) |
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354 | (1) |
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354 | (1) |
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Replacing Your Audio Tracks |
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355 | (1) |
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355 | (1) |
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355 | (1) |
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356 | (1) |
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Checking For Offline Media |
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356 | (1) |
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356 | (2) |
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Connecting the Avid Cables to the Tape Deck |
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358 | (1) |
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Manual Recording or Crash Recording to Tape |
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358 | (2) |
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Manual Record to a DV Deck or DV Camera |
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359 | (1) |
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Manual Record to an Analog Deck (Beta SP or VHS) or Digital Deck |
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359 | (1) |
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360 | (2) |
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Starting Sequence Timecode |
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361 | (1) |
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362 | (1) |
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363 | (6) |
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364 | (1) |
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Talk to Your Online Facility |
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365 | (1) |
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366 | (1) |
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366 | (2) |
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368 | (1) |
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369 | (1) |
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369 | (1) |
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369 | (2) |
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370 | (1) |
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370 | (1) |
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371 | (2) |
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373 | (24) |
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373 | (1) |
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373 | (1) |
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The Film-to-Tape Transfer |
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374 | (1) |
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Finishing on Film or Finishing on Tape |
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374 | (1) |
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Hire a Negative Cutter First |
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374 | (1) |
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375 | (1) |
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375 | (1) |
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376 | (1) |
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376 | (2) |
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Problems with the Transfer |
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378 | (1) |
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Identifying the First Frame with a Punch |
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379 | (1) |
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379 | (1) |
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379 | (1) |
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380 | (1) |
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381 | (1) |
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381 | (1) |
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382 | (1) |
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383 | (2) |
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385 | (1) |
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385 | (1) |
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386 | (1) |
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387 | (1) |
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Field Recording with a Timecode DAT |
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387 | (1) |
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Slowing Down the DAT during Digitizing |
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387 | (1) |
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388 | (1) |
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388 | (1) |
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389 | (1) |
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390 | (1) |
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390 | (1) |
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390 | (1) |
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Opening the Cut List Tool |
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391 | (3) |
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``Matchback Shortened the Tail of the Clip by 1 Frame'' |
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394 | (1) |
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Mix and Optical Sound Track |
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394 | (1) |
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395 | (1) |
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395 | (1) |
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395 | (2) |
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397 | (4) |
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Where Do You Go From Here? |
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397 | (1) |
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Information on the Internet |
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398 | (1) |
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Getting a Job as an Avid Editor |
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398 | (1) |
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399 | (1) |
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400 | (1) |
| Index |
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401 | (6) |
| DVD-ROM Instructions |
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407 | |