| Acknowledgments |
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xxiii | |
| Introduction |
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xxv | |
| Writers' Biographies |
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xxvii | |
| 1 On Camera |
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1 | (4) |
| Interviewing |
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5 | (38) |
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7 | (28) |
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8 | (3) |
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11 | (1) |
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12 | (2) |
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To Pre-Interview or Not to Pre-Interview? |
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14 | (1) |
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15 | (2) |
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17 | (1) |
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17 | (3) |
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The All-Important First Question |
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20 | (1) |
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The Shape of an Interview |
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21 | (1) |
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22 | (1) |
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Answers that are Toooo Long |
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22 | (1) |
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Questions that are Toooo Long |
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23 | (1) |
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24 | (1) |
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25 | (1) |
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Have more Questions than You Think You Will Need |
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26 | (1) |
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Where Do You Look When You are Interviewing? |
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27 | (1) |
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28 | (1) |
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Whose Interview is it Anyway? |
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28 | (1) |
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29 | (1) |
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29 | (1) |
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30 | (1) |
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Are there any Exercises I can Use? |
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30 | (1) |
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Exercise for Interview Variety |
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31 | (1) |
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31 | (1) |
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31 | (1) |
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32 | (1) |
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32 | (2) |
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Practice, Practice, Practice |
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34 | (1) |
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35 | (8) |
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35 | (1) |
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36 | (2) |
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38 | (1) |
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38 | (1) |
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39 | (2) |
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41 | (1) |
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41 | (2) |
| On-Camera Reporting |
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43 | (70) |
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45 | (16) |
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45 | (1) |
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It's Television. Get Video. |
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46 | (1) |
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47 | (1) |
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48 | (1) |
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Cut-Aways, Reverses and Jump Cuts |
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48 | (1) |
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49 | (2) |
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51 | (1) |
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52 | (1) |
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How to Start Your Taped On-Scene Interviews |
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52 | (2) |
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Live Interviews for On-Camera Reporters |
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54 | (6) |
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60 | (1) |
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61 | (22) |
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61 | (1) |
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On-Camera Field Interviews |
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62 | (3) |
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Let's Write the Script and Make a Package |
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65 | (3) |
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68 | (1) |
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68 | (2) |
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70 | (6) |
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76 | (1) |
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Use of "We" Versus "You" in Your Script |
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76 | (1) |
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Reporting from the War Front |
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77 | (1) |
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78 | (1) |
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Finding Your Stories and Developing Your Sources |
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79 | (1) |
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Conclusion to Writing the Script |
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80 | (1) |
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81 | (2) |
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6 Presenting the Report on Camera |
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83 | (30) |
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Studio Lead or Studio Throw |
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83 | (1) |
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84 | (1) |
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84 | (1) |
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85 | (1) |
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85 | (1) |
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86 | (2) |
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88 | (1) |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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90 | (1) |
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91 | (1) |
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91 | (1) |
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92 | (1) |
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Reporter's Notes and Notebooks |
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92 | (3) |
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95 | (2) |
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97 | (1) |
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It's All in How You Ask the Question |
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97 | (3) |
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100 | (1) |
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Some Final Notes for On-Camera Reporter Interviews |
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101 | (1) |
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The Five Ws and the Dreaded H |
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101 | (1) |
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102 | (1) |
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103 | (1) |
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103 | (1) |
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104 | (1) |
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105 | (1) |
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105 | (2) |
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107 | (1) |
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How do You Handle Disagreements with Your Boss? |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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109 | (4) |
| Beat Reporting |
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113 | (106) |
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115 | (6) |
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118 | (1) |
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119 | (2) |
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121 | (14) |
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122 | (4) |
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126 | (1) |
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126 | (1) |
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126 | (2) |
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128 | (2) |
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130 | (1) |
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130 | (1) |
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131 | (1) |
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Getting it Wrong is Not a Mistake |
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131 | (1) |
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Don't Hide Your Inner Ethic |
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132 | (3) |
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135 | (10) |
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Do I Need To Be a Doctor? |
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135 | (2) |
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You Need to Know Both TV and Science |
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137 | (1) |
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138 | (1) |
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139 | (1) |
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Legalities and Permissions |
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140 | (2) |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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145 | (10) |
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Skills for a Legal Reporter |
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148 | (3) |
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151 | (1) |
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152 | (3) |
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11 Entertainment Reporting |
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155 | (6) |
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157 | (1) |
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158 | (1) |
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The Question Everyone Asks |
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159 | (2) |
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161 | (10) |
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161 | (2) |
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163 | (1) |
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164 | (1) |
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165 | (2) |
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Light News Stories in Business |
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167 | (1) |
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167 | (1) |
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168 | (1) |
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169 | (2) |
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171 | (18) |
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172 | (1) |
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Credibility is the Bedrock of the Anchor |
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172 | (2) |
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174 | (1) |
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Anchor Qualities and Skills |
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174 | (1) |
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174 | (1) |
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Other Things to Know About an Anchor's Read |
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175 | (1) |
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176 | (1) |
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176 | (2) |
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178 | (1) |
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178 | (1) |
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179 | (1) |
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180 | (1) |
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181 | (1) |
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Anchor Jack (and Jill for that Matter) are Dull |
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182 | (1) |
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Don't forget Reporting and Interviewing Skills |
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183 | (1) |
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Be Honest ... But Not Hard on Yourself |
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184 | (1) |
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In Indiana, It's Pronounced "Pee-Roo" |
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184 | (1) |
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185 | (1) |
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186 | (1) |
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186 | (3) |
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189 | (18) |
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189 | (2) |
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191 | (2) |
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193 | (1) |
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194 | (2) |
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196 | (1) |
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197 | (1) |
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197 | (1) |
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198 | (1) |
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Contrast is the Name of the Game |
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199 | (1) |
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200 | (1) |
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Smile if the Story is Light News |
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201 | (1) |
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201 | (1) |
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201 | (1) |
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Point of View or Proper Attitude? |
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201 | (2) |
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203 | (1) |
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204 | (1) |
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Exercise for Subtext and Intentions |
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204 | (3) |
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207 | (12) |
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210 | (1) |
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211 | (1) |
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What About Smart? What About Funny? |
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211 | (1) |
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212 | (1) |
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212 | (2) |
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How Should I Handle a Curve Ball? |
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214 | (1) |
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215 | (1) |
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216 | (1) |
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217 | (1) |
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Exercises for Opens and Closes for Hosting |
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217 | (2) |
| Vocal and Physical Technique |
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219 | (82) |
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221 | (30) |
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222 | (1) |
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223 | (1) |
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224 | (1) |
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225 | (1) |
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226 | (23) |
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249 | (1) |
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250 | (1) |
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17 Techniques for a Good Reading |
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251 | (26) |
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Punctuation for TV Scripts |
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252 | (1) |
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253 | (1) |
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Reading but Not Sounding that Way |
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254 | (1) |
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255 | (1) |
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How to Sound Great and Natural |
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256 | (1) |
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Question and Answer Exercise |
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257 | (1) |
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257 | (1) |
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258 | (1) |
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258 | (1) |
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259 | (1) |
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259 | (1) |
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Five Keys to a Great Reading |
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259 | (8) |
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267 | (1) |
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Time and Timing Are Important |
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268 | (1) |
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268 | (1) |
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Exercises for a Great Read |
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269 | (6) |
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275 | (2) |
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277 | (6) |
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277 | (1) |
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278 | (1) |
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Smiling with Teeth and Eyes |
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279 | (1) |
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Frolicking Eyebrows and Frowning |
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280 | (1) |
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Spreading Your Mouth Too Wide When Reading |
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280 | (1) |
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281 | (1) |
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281 | (2) |
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283 | (18) |
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283 | (2) |
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285 | (1) |
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What About Make-Up for Men? |
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286 | (1) |
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287 | (1) |
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288 | (1) |
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Make-Up for Young and Old |
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288 | (1) |
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Make-Up and Hair for Ethnic Skin Tones |
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289 | (1) |
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Do Black Women Have to Straighten their Hair? |
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289 | (1) |
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What About Make-Up for Asian Women? |
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290 | (1) |
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Make-Up for Entertainment Reporters |
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290 | (1) |
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290 | (1) |
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291 | (1) |
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So Where Do You Get Your Make-Up? |
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291 | (1) |
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Television Make-Up Products |
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292 | (1) |
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292 | (2) |
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294 | (1) |
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294 | (1) |
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295 | (1) |
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295 | (2) |
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297 | (1) |
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It's You, It's Your Responsibility |
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298 | (1) |
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299 | (2) |
| Getting the Job |
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301 | (16) |
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303 | (14) |
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303 | (1) |
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So How Do I Make a Good Reel? |
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303 | (2) |
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305 | (1) |
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What Does Not Go on Your Reel? |
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305 | (2) |
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307 | (1) |
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Should I Use a Famous Person in the Package on My Reel? |
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307 | (1) |
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What if My Story Isn't Mine But I have to Have Something on a Reel? |
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308 | (1) |
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What About Production Houses that Provide Package Help? |
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309 | (1) |
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What Makes a Reel Jump Out? |
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310 | (1) |
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How Important is an Agent? |
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311 | (1) |
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311 | (2) |
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To School or Not to School? What About Education? |
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313 | (1) |
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Does it Matter Which School? |
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313 | (1) |
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What About Writing Skills? |
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313 | (1) |
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What Experience Does Joe Look For? |
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314 | (1) |
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What's the Key Thing I Should Worry About on My Reel? |
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314 | (1) |
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315 | (2) |
| A Few Words to Grow By... |
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317 | (26) |
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21 How to Land A Job in Television |
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321 | (22) |
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323 | (2) |
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What to Include on Your Second Tape and Beyond |
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325 | (1) |
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326 | (4) |
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330 | (1) |
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331 | (1) |
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331 | (1) |
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332 | (1) |
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Okay, the Tape is Done, but now What? |
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333 | (6) |
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339 | (4) |
| Epilogue |
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343 | (2) |
| Index |
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345 | |