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On Camera,9780240808093
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On Camera


Author(s): Reardon; Flynn
ISBN10:  0240808096
ISBN13:  9780240808093
Format:  Paperback
Pub. Date:  9/15/2006
Publisher(s): Elsevier Science & Technology

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SummaryTable of Contents
This industry veteran is finally sharing with wide audiences her best-kept secrets and tips for presenting on-camera for television. After teaching for two decades and developing a popular on-camera skills class at The New School in New York City, Nan Reardon is now teaching on-camera skills to students through her book, On-Camera Presentation.

This book teaches you how to be at ease, whether doing an interview or reporting in the field, or whether reading copy from a teleprompter or giving a presentation. It provides the basic nuts and bolts of how to do the job of anchoring, reporting and interviewing once you get in front of the camera in the studio, or out on location. This book provides the techniques, exercises, tricks of the trade and some true stories from the business--of value to novices with no experience in front of the camera and more experienced presenters working in small markets or seeking to work at bigger stations. The book will also help you if you need to brush up on your presentation skills. Presenting is not limited to television, as media professionals need to be able to comfortably present live, on video conference, as well as live and recorded video to large and small groups.

* CD-ROM with video examples of how to interview on-camera, what to wear, and smart body language.
* Focus on the essentials: how to do the job of anchoring, reporting, and interviewing.
* Illustrated with drawings by New Yorker magazine cartoonist W. Miller!
Acknowledgments xxiii
Introduction xxv
Writers' Biographies xxvii
1 On Camera 1(4)
Interviewing 5(38)
2 Interviewing
7(28)
Prepare
8(3)
Communicate
11(1)
Listen
12(2)
To Pre-Interview or Not to Pre-Interview?
14(1)
Be Polite
15(2)
Hard News Interviews
17(1)
Soft News Interviews
17(3)
The All-Important First Question
20(1)
The Shape of an Interview
21(1)
Time is of the Essence
22(1)
Answers that are Toooo Long
22(1)
Questions that are Toooo Long
23(1)
Yes or No Questions
24(1)
Anecdotes and Stories
25(1)
Have more Questions than You Think You Will Need
26(1)
Where Do You Look When You are Interviewing?
27(1)
Your Voice
28(1)
Whose Interview is it Anyway?
28(1)
The End of the Interview
29(1)
The Difference Maker
29(1)
Checklist
30(1)
Are there any Exercises I can Use?
30(1)
Exercise for Interview Variety
31(1)
Exercise for Questions
31(1)
Exercise for Listening
31(1)
Exercise for Flexibility
32(1)
One Last Exercise
32(2)
Practice, Practice, Practice
34(1)
3 The Interviewee
35(8)
Know How You Appear
35(1)
Prepare
36(2)
Nerves
38(1)
Monotone = Boring
38(1)
Know Your Audience
39(2)
Have a Good Time
41(1)
Checklist
41(2)
On-Camera Reporting 43(70)
4 Gathering the Facts
45(16)
Nancy's Accident Story
45(1)
It's Television. Get Video.
46(1)
See It. Shoot It
47(1)
Establish the Scene
48(1)
Cut-Aways, Reverses and Jump Cuts
48(1)
Jump Cuts
49(2)
Reverse Questions
51(1)
More Tricks of the Trade
52(1)
How to Start Your Taped On-Scene Interviews
52(2)
Live Interviews for On-Camera Reporters
54(6)
Checklist
60(1)
5 Writing the Script
61(22)
Nancy's Class Fire Story
61(1)
On-Camera Field Interviews
62(3)
Let's Write the Script and Make a Package
65(3)
This is a Visual Medium
68(1)
Pace
68(2)
Language is a Tool
70(6)
Hard News/Light News
76(1)
Use of "We" Versus "You" in Your Script
76(1)
Reporting from the War Front
77(1)
Fat Head Advice
78(1)
Finding Your Stories and Developing Your Sources
79(1)
Conclusion to Writing the Script
80(1)
Checklist
81(2)
6 Presenting the Report on Camera
83(30)
Studio Lead or Studio Throw
83(1)
The Open
84(1)
Beware of the Same Copy
84(1)
The Package
85(1)
Stand-Ups
85(1)
Be Creative But...
86(2)
Wallpaper
88(1)
Bridges
88(1)
Graphics
89(1)
File Tape
90(1)
The Close
90(1)
The Tag
91(1)
The Sign Off
91(1)
Q and A
92(1)
Reporter's Notes and Notebooks
92(3)
Microphone Position
95(2)
Where Do I Look?
97(1)
It's All in How You Ask the Question
97(3)
Intention
100(1)
Some Final Notes for On-Camera Reporter Interviews
101(1)
The Five Ws and the Dreaded H
101(1)
One Question at a Time
102(1)
Think of Your Priorities
103(1)
You are Going Live
103(1)
Stay Calm in a Crisis
104(1)
Don't Give Up
105(1)
Substitutions
105(2)
Crowd Control
107(1)
How do You Handle Disagreements with Your Boss?
107(1)
Conclusion
108(1)
Checklist
109(1)
Reporting Exercises
109(4)
Beat Reporting 113(106)
7 Sports Reporting
115(6)
You're Still a Reporter
118(1)
Breaking In
119(2)
8 Weather Reporting
121(14)
Watch the Over-Hype
122(4)
Trust Yourself
126(1)
Be Fast on Your Feet
126(1)
Details
126(2)
Airtime
128(2)
Signature
130(1)
Geography
130(1)
Weather-Speak
131(1)
Getting it Wrong is Not a Mistake
131(1)
Don't Hide Your Inner Ethic
132(3)
9 Medical Reporting
135(10)
Do I Need To Be a Doctor?
135(2)
You Need to Know Both TV and Science
137(1)
TMI
138(1)
Don't Worry
139(1)
Legalities and Permissions
140(2)
Getting Started
142(1)
Where the Stories Are
143(1)
Sum Up
144(1)
10 Legal Reporting
145(10)
Skills for a Legal Reporter
148(3)
Advice for Students
151(1)
Listen Up, You Idiot!
152(3)
11 Entertainment Reporting
155(6)
Are You the One for MTV?
157(1)
Making a Reel for MTV
158(1)
The Question Everyone Asks
159(2)
12 Business Reporting
161(10)
Skills
161(2)
Voice
163(1)
Looks
164(1)
Airtime
165(2)
Light News Stories in Business
167(1)
Traps
167(1)
Get Them to Talk to You
168(1)
Getting Started
169(2)
13 Anchoring I
171(18)
Anchoring is a Craft
172(1)
Credibility is the Bedrock of the Anchor
172(2)
Who are You?
174(1)
Anchor Qualities and Skills
174(1)
Pace
174(1)
Other Things to Know About an Anchor's Read
175(1)
How Much Can I Move?
176(1)
Connections
176(2)
Try Substitution
178(1)
Voice and Read
178(1)
Subtext and Intentions
179(1)
Segue
180(1)
Hey! Relax!
181(1)
Anchor Jack (and Jill for that Matter) are Dull
182(1)
Don't forget Reporting and Interviewing Skills
183(1)
Be Honest ... But Not Hard on Yourself
184(1)
In Indiana, It's Pronounced "Pee-Roo"
184(1)
Trust Me, They Love You
185(1)
Checklist
186(1)
Ad-Libbing Exercise
186(3)
14 Anchoring II
189(18)
The TelePrompTer
189(2)
The Hard Copy
191(2)
Headlines and Opens
193(1)
Teases and Bumpers
194(2)
What is a Bumper?
196(1)
The Update
197(1)
Close
197(1)
Double Anchoring
198(1)
Contrast is the Name of the Game
199(1)
Light News
200(1)
Smile if the Story is Light News
201(1)
Smile When You Can
201(1)
The Morning Shows
201(1)
Point of View or Proper Attitude?
201(2)
Nancy's Bedtime Story
203(1)
Checklist
204(1)
Exercise for Subtext and Intentions
204(3)
15 Hosting
207(12)
Bea Type
210(1)
Age Range
211(1)
What About Smart? What About Funny?
211(1)
Should I Get an Agent?
212(1)
How to Get There
212(2)
How Should I Handle a Curve Ball?
214(1)
Host with Grace
215(1)
Opens and Closes
216(1)
Checklist
217(1)
Exercises for Opens and Closes for Hosting
217(2)
Vocal and Physical Technique 219(82)
16 The Voice Itself
221(30)
Know Your Flaws
222(1)
Is this You?
223(1)
Breathing
224(1)
Tension
225(1)
Exercises
226(23)
A Closing Thought
249(1)
Checklist
250(1)
17 Techniques for a Good Reading
251(26)
Punctuation for TV Scripts
252(1)
Tape and Ape
253(1)
Reading but Not Sounding that Way
254(1)
Mark Your Script
255(1)
How to Sound Great and Natural
256(1)
Question and Answer Exercise
257(1)
Loosen Up
257(1)
Try Paraphrasing
258(1)
Monotone Millie
258(1)
You are Not an Announcer
259(1)
Talk to One Person
259(1)
Five Keys to a Great Reading
259(8)
Giving a Level
267(1)
Time and Timing Are Important
268(1)
Don't Make Paper Noises
268(1)
Exercises for a Great Read
269(6)
Checklist
275(2)
18 Physical Techniques
277(6)
On-Camera Movement
277(1)
Distractions
278(1)
Smiling with Teeth and Eyes
279(1)
Frolicking Eyebrows and Frowning
280(1)
Spreading Your Mouth Too Wide When Reading
280(1)
Summing Up
281(1)
Checklist
281(2)
19 Looking Good
283(18)
Make-Up!
283(2)
For Women
285(1)
What About Make-Up for Men?
286(1)
Some Tricks
287(1)
Lipstick
288(1)
Make-Up for Young and Old
288(1)
Make-Up and Hair for Ethnic Skin Tones
289(1)
Do Black Women Have to Straighten their Hair?
289(1)
What About Make-Up for Asian Women?
290(1)
Make-Up for Entertainment Reporters
290(1)
Tips for Men
290(1)
Tips for Women
291(1)
So Where Do You Get Your Make-Up?
291(1)
Television Make-Up Products
292(1)
Hair Counts
292(2)
Hair Spray
294(1)
Eyes
294(1)
Teeth
295(1)
Clothes Make the Anchor
295(2)
Bejeweled? Be Careful
297(1)
It's You, It's Your Responsibility
298(1)
Where To Go
299(2)
Getting the Job 301(16)
20 Preparing Your Reel
303(14)
Advice from the Trenches
303(1)
So How Do I Make a Good Reel?
303(2)
What Goes on Your Reel?
305(1)
What Does Not Go on Your Reel?
305(2)
Story Lines for the Reel
307(1)
Should I Use a Famous Person in the Package on My Reel?
307(1)
What if My Story Isn't Mine But I have to Have Something on a Reel?
308(1)
What About Production Houses that Provide Package Help?
309(1)
What Makes a Reel Jump Out?
310(1)
How Important is an Agent?
311(1)
What About Looks?
311(2)
To School or Not to School? What About Education?
313(1)
Does it Matter Which School?
313(1)
What About Writing Skills?
313(1)
What Experience Does Joe Look For?
314(1)
What's the Key Thing I Should Worry About on My Reel?
314(1)
More Stuff from Joe
315(2)
A Few Words to Grow By... 317(26)
21 How to Land A Job in Television
321(22)
Your First Tape
323(2)
What to Include on Your Second Tape and Beyond
325(1)
Format
326(4)
Other Considerations
330(1)
Table of Contents
331(1)
The Follow-Up Tape
331(1)
What Do Others Think?
332(1)
Okay, the Tape is Done, but now What?
333(6)
Once You Get a Job
339(4)
Epilogue 343(2)
Index 345

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