| PREFACE: REREADING LORCA AND JIMENEZ |
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| Selected Poems of JUAN RAMON JIMENEZ JUAN RAMON JIMENEZ UNDER THE WATER |
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1 | (99) |
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8 | (20) |
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8 | (1) |
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9 | (1) |
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"Yo estaba junto a mi mesa" |
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10 | (1) |
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11 | (3) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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17 | (1) |
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18 | (1) |
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"Who Knows What Is Going On" |
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19 | (1) |
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20 | (1) |
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"A Remembrance Is Moving" |
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21 | (1) |
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"El cordero balaba dulcemente" |
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22 | (1) |
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"The Lamb Was Bleating Softly" |
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23 | (1) |
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24 | (1) |
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25 | (3) |
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From DIARY OF A POET RECENTLY MARRIED |
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28 | (32) |
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28 | (1) |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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"Te deshoje, como una rosa" |
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32 | (1) |
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"I Took off Petal After Petal" |
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33 | (1) |
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34 | (1) |
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35 | (1) |
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36 | (1) |
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37 | (1) |
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38 | (1) |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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Un imitador de Billy Sunday |
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44 | (1) |
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An Imitator of Billy Sunday |
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45 | (3) |
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48 | (1) |
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49 | (1) |
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50 | (1) |
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50 | (1) |
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Cristales morados y muselinas blancas |
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52 | (1) |
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Lavender Windowpanes and White Curtains |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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57 | (3) |
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60 | (34) |
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60 | (1) |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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64 | (1) |
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65 | (1) |
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66 | (1) |
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67 | (1) |
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68 | (1) |
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69 | (1) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | (1) |
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74 | (1) |
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75 | (1) |
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76 | (1) |
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77 | (1) |
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"El barco entra, opaco y negro" |
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78 | (1) |
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"The Ship, Solid and Black" |
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79 | (1) |
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"Tan bien como se encuentra" |
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80 | (1) |
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81 | |
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80 | |
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81 | (1) |
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82 | (1) |
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83 | (1) |
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84 | (1) |
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"At First She Came to Me Pure" |
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85 | (1) |
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86 | (1) |
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87 | (1) |
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88 | (1) |
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Dawn Outside the City Walls |
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89 | (1) |
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El nombre conseguido de los nombres |
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90 | (1) |
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The Name Drawn from the Names |
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91 | (1) |
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92 | (1) |
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93 | (1) |
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FIRST GLIMPSE OF JUAN RAMON JIMENEZ |
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94 | (6) |
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| Selected Poems of FEDERICO GARCIA LORCA GARCIA LORCA AND CRETE |
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100 | |
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From EARLY POEMS From EARLY POEMS |
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106 | (18) |
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106 | (1) |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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110 | (1) |
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111 | (1) |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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116 | (1) |
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117 | (1) |
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118 | (1) |
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The Unmarried Woman at Mass |
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119 | (1) |
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120 | (1) |
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121 | (3) |
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124 | (20) |
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124 | (1) |
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125 | (3) |
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128 | (1) |
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129 | (7) |
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136 | (1) |
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137 | (7) |
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144 | (40) |
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144 | (1) |
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145 | (1) |
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146 | (1) |
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147 | (3) |
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150 | (1) |
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151 | (7) |
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158 | (1) |
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159 | (3) |
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162 | (1) |
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163 | (1) |
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164 | (1) |
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165 | (1) |
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Paisaje con dos tumbas y un perro asirio |
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166 | (1) |
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Landscape with Two Graves and an Assyrian Hound |
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167 | (1) |
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168 | (1) |
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169 | (3) |
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172 | (1) |
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173 | (5) |
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178 | (1) |
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179 | (5) |
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184 | |
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184 | (1) |
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185 | (1) |
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Casida de las palomas oscuras |
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186 | (1) |
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Casida of the Shadowy Pigeons |
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187 | (1) |
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188 | (1) |
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189 | (1) |
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Gacela de la terrible prescencia |
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190 | (1) |
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Ghazal of the Terrifying Presence |
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191 | (1) |
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Gacela de la muerte oscura |
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192 | (1) |
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193 | |
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