|
|
|
11 | (32) |
|
Photography is everywhere |
|
|
11 | (9) |
|
Development of photography |
|
|
20 | (17) |
|
The future of photography |
|
|
37 | (6) |
|
|
|
43 | (24) |
|
|
|
43 | (6) |
|
|
|
49 | (5) |
|
|
|
54 | (5) |
|
|
|
59 | (8) |
|
|
|
67 | (20) |
|
|
|
67 | (7) |
|
|
|
74 | (5) |
|
|
|
79 | (8) |
|
|
|
87 | (24) |
|
|
|
87 | (3) |
|
Controlling light with filters |
|
|
90 | (6) |
|
|
|
96 | (15) |
|
|
|
111 | (24) |
|
The physical structure of film |
|
|
112 | (2) |
|
|
|
114 | (3) |
|
|
|
117 | (4) |
|
Film types, forms, and sizes |
|
|
121 | (7) |
|
|
|
128 | (7) |
|
|
|
135 | (36) |
|
|
|
137 | (13) |
|
Shutter speed/aperture decisions |
|
|
150 | (4) |
|
|
|
154 | (17) |
|
|
|
171 | (30) |
|
Film-developing requirements |
|
|
172 | (2) |
|
Chemical handling and storage |
|
|
174 | (6) |
|
|
|
180 | (10) |
|
|
|
190 | (2) |
|
|
|
192 | (3) |
|
|
|
195 | (6) |
|
|
|
201 | (26) |
|
Temporary vs permanent facilities |
|
|
201 | (7) |
|
|
|
208 | (19) |
|
|
|
227 | (40) |
|
|
|
228 | (5) |
|
|
|
233 | (15) |
|
|
|
248 | (19) |
|
|
|
267 | (24) |
|
|
|
267 | (3) |
|
Fixing minor print defects |
|
|
270 | (3) |
|
|
|
273 | (7) |
|
|
|
280 | (5) |
|
|
|
285 | (6) |
|
|
|
291 | (16) |
|
|
|
291 | (4) |
|
|
|
295 | (1) |
|
How a view camera is used |
|
|
296 | (11) |
|
|
|
307 | (28) |
|
|
|
309 | (2) |
|
|
|
311 | (2) |
|
Using filters with color film |
|
|
313 | (7) |
|
|
|
320 | (4) |
|
|
|
324 | (11) |
|
Artificial Light Photography |
|
|
335 | (38) |
|
Types of artificial lighting |
|
|
336 | (7) |
|
|
|
343 | (2) |
|
Working with ambient light |
|
|
345 | (1) |
|
|
|
345 | (10) |
|
Working with studio lighting |
|
|
355 | (18) |
|
Advanced and Special Techniques |
|
|
373 | (38) |
|
|
|
373 | (6) |
|
|
|
379 | (9) |
|
Intentional double exposure |
|
|
388 | (3) |
|
|
|
391 | (3) |
|
|
|
394 | (4) |
|
Antique and experimental techniques |
|
|
398 | (13) |
|
|
|
411 | (24) |
|
Recording an image on film |
|
|
411 | (1) |
|
Recording an image digitally |
|
|
412 | (4) |
|
Digital camera considerations |
|
|
416 | (8) |
|
Other image capture methods |
|
|
424 | (11) |
|
Digital-Image Manipulation and Output |
|
|
435 | (36) |
|
|
|
438 | (1) |
|
Working in the ``digital darkroom'' |
|
|
439 | (10) |
|
Artistic combination and manipulation |
|
|
449 | (14) |
|
Image output alternatives |
|
|
463 | (8) |
| Appendices |
|
471 | (14) |
|
Appendix 1. Sources of Information and Materials |
|
|
471 | (6) |
|
Appendix 2. Buying a Used Camera or Other Photo Equipment |
|
|
477 | (5) |
|
Appendix 3. Copyright and the Photographer |
|
|
482 | (3) |
| Technical Vocabulary |
|
485 | (26) |
| Index |
|
511 | |
Shopping Cart
