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9780262522793

Remediation Understanding New Media

by ;
  • ISBN13:

    9780262522793

  • ISBN10:

    0262522799

  • Edition: Reprint
  • Format: Paperback
  • Copyright: 2000-01-06
  • Publisher: The MIT Press

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Summary

Winner, 2001 Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics sponsored by the Media Ecology Association (MEA). and Winner, 2001 Marshall McLuhan Award for Outstanding Book in the Field of Media Ecology, sponsored by the Media Ecology Assoication (MEA). Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study, Jay David Bolter and Richard Grusin offer a theory of mediation for our digital age that challenges this assumption. They argue that new visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film, and television. They call this process of refashioning "remediation," and they note that earlier media have also refashioned one another: photography remediated painting, film remediated stage production and photography, and television remediated film, vaudeville, and radio.

Author Biography

Jay David Bolter is Wesley Chair of New Media and Codirector of the Augmented Media Lab at Georgia Institute of Technology. He is the author of Remediation: Understanding New Media (with Richard Grusin), Windows and Mirrors: Interaction Design, Digital Art and the Myth of Transparency (with Diane Gromala), both published by the MIT Press, and other books.

Richard Grusin is Professor and Chair of English at Wayne State University in Detroit.

Table of Contents

Prefacep. viii
Introduction: The Double Logic of Remediationp. 2
Theory
Immediacy, Hypermediacy, and Remediationp. 20
Mediation and Remediationp. 52
Networks of Remediationp. 64
Media
Computer Gamesp. 88
Digital Photographyp. 104
Photorealistic Graphicsp. 114
Digital Artp. 132
Filmp. 146
Virtual Realityp. 160
Mediated Spacesp. 168
Televisionp. 184
The World Wide Webp. 196
Ubiquitous Computingp. 212
Convergencep. 220
Self
The Remediated Selfp. 230
The Virtual Selfp. 242
The Networked Selfp. 256
Conclusionp. 266
Glossaryp. 272
Referencesp. 276
Indexp. 286
Table of Contents provided by Publisher. All Rights Reserved.

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