Preface | p. xii |
Introduction | p. xiii |
Photoshop and Photography from 50,000 Feet | p. 1 |
Images in the Digital Domain | p. 3 |
Transferring Skills | p. 7 |
Basic Composition | p. 8 |
Lens Selection | p. 8 |
Selective Focus | p. 9 |
Choosing the Right Film | p. 9 |
Darkroom Techniques | p. 10 |
Retouching | p. 10 |
Compositing | p. 10 |
Color Correction | p. 12 |
Creative Use of Black and White | p. 12 |
Filters | p. 12 |
Next Up | p. 13 |
Camera and Lens Effects in Photoshop | p. 15 |
Lens Effects | p. 16 |
Perspective Control | p. 17 |
Zoom | p. 25 |
Telephoto Effects | p. 28 |
Compressing Distances | p. 35 |
Fisheye Lens | p. 37 |
Lens Flare | p. 40 |
Motion Blur | p. 44 |
Selective Focus | p. 48 |
Creating the Alpha Channels | p. 52 |
Applying the Lens Blur Filter | p. 54 |
Photoshop CS Photo Filters | p. 57 |
Lens Distortion Correction | p. 58 |
No Perfect Lens | p. 58 |
Fixing Chromatic Aberration | p. 59 |
Correcting Barrel and Pincushion Distortion | p. 61 |
Correcting Vignetting | p. 64 |
Correcting Perspective | p. 65 |
Next Up | p. 66 |
Darkroom Techniques with Photoshop CS 2.0 | p. 67 |
Manipulating Digital Negatives | p. 67 |
Photoshop's RAW Support | p. 68 |
Using the Camera RAW Plug-In | p. 70 |
Film Development Techniques | p. 74 |
Solarization | p. 74 |
Reticulation | p. 80 |
Cross-Processing | p. 82 |
High-Contrast Images | p. 87 |
Grainy Images | p. 93 |
Black-and-White Infrared Film | p. 98 |
Color Infrared Film | p. 101 |
Printing Techniques | p. 105 |
Dodging/Burning | p. 105 |
Vignetting Revisited | p. 108 |
Sepia Toning | p. 109 |
Automatically Crop and Straighten Photos | p. 111 |
Next Up | p. 112 |
Secrets of Retouching | p. 113 |
Retouching, the Old Way | p. 114 |
Retouching Negatives | p. 115 |
Retouching Transparencies | p. 115 |
Retouching Prints | p. 116 |
Retouching, the New Way | p. 116 |
Dust Spots | p. 117 |
Double Catchlights | p. 117 |
Other Defects | p. 118 |
Tackling a Retouching Project | p. 120 |
Avoiding Retouching | p. 120 |
Cropping | p. 121 |
Removing Dust and Noise | p. 122 |
Fixing Dual Catchlights | p. 125 |
Removing Unwanted Objects | p. 127 |
Darkening and Lightening | p. 130 |
Moving Boy Over | p. 130 |
Repairing Images with the Healing Brush and Patch Tools | p. 131 |
Canceling Red Eyes | p. 136 |
Next Up | p. 137 |
Compositing in Photoshop CS | p. 139 |
Your Compositing Toolkit | p. 140 |
Selection Refresher Course | p. 143 |
Making Rectangular, Square, Oval, and Circular Selections | p. 145 |
Creating Single-Row and Single-Column Selections | p. 146 |
Making Freehand Selections with the Lasso Tool | p. 146 |
Other Selection Tips | p. 147 |
Adding, Subtracting, or Combining Selections | p. 147 |
Other Selection Tools | p. 148 |
Magic Wand | p. 148 |
The Select Menu | p. 148 |
Making Selections with the Paths Palette | p. 150 |
Creating a Simple Composite | p. 153 |
Stitching Two Photos Together | p. 156 |
Merging Photos the Hard Way | p. 161 |
Merging Photos the Easy Way | p. 164 |
Creating a Fantasy Landscape | p. 166 |
Adding Clouds | p. 168 |
Bringing the Seashore Inland | p. 170 |
Adding a Castle | p. 172 |
Compositing Close Up | p. 174 |
Extracting the Kitten | p. 175 |
Kitten on a Desktop | p. 177 |
Creating a Reflection | p. 179 |
More than One Way to Skin a Cat | p. 180 |
Compositing Possibilities | p. 181 |
Combining Compositing and Retouching | p. 181 |
Next Up | p. 184 |
Correcting Your Colors | p. 185 |
Wonderful World of Color | p. 186 |
Color Models | p. 187 |
Other Color Models | p. 194 |
Capturing Color Images | p. 195 |
Color Calibration and Gamma Curves | p. 196 |
Color Correction | p. 197 |
Color Correction Made Easy | p. 202 |
Using Color Balance Controls | p. 203 |
Adjusting Hue/Saturation/Brightness | p. 205 |
Using Color Ring Arounds and Variations | p. 206 |
Image Correction Made Easier With Photoshop CS 2.0 | p. 209 |
Using Exposure Controls | p. 209 |
Using Live Histograms | p. 213 |
Matching Color | p. 216 |
Replacing Color | p. 218 |
The Color Replacement Tool | p. 219 |
Using Exposuremerge | p. 220 |
Calibrating Your Monitor | p. 223 |
Next Up | p. 226 |
Beyond Black and White | p. 227 |
Why Black and White? | p. 227 |
Converting Color to Black and White | p. 230 |
Hue | p. 232 |
Saturation | p. 233 |
Brightness | p. 237 |
Converting to Grayscale with Channels | p. 238 |
Other Grayscale Effects | p. 243 |
Antique Photograph | p. 243 |
Orthochromatic Film | p. 245 |
Next Up | p. 247 |
Using Photoshop CS's Filters | p. 249 |
What Are Filters? | p. 250 |
What Kinds of Filters Are Available? | p. 254 |
Using Filters | p. 255 |
Choosing the Portion of an Image to Apply a Filter To | p. 255 |
Selecting the Filter | p. 256 |
Applying the Filter | p. 256 |
Saving the Image or a Snapshot | p. 257 |
Photoshop CS's Filter Gallery | p. 257 |
Filter Gallery Basics | p. 258 |
Reproducing Photographic Filters in Photoshop | p. 263 |
Polarizing Filters | p. 263 |
Cross-Screen | p. 266 |
Split Filter | p. 268 |
Modifying Images with Photoshop's Filters | p. 270 |
Painting Filters | p. 271 |
Sketching/Drawing Filters | p. 278 |
Edgy Filters | p. 280 |
Distortion Filters | p. 283 |
Pixelation and Stylizing Filters | p. 287 |
Next Up | p. 291 |
Hardcopies Made Easy | p. 293 |
Why Prints? | p. 294 |
Color Prints as Proofs | p. 296 |
Your Output Options | p. 298 |
Laser Printers | p. 298 |
Inkjet Printers | p. 300 |
Dye Sublimation Printers | p. 305 |
Other Printer Types | p. 307 |
Using Professional Services | p. 308 |
Getting Set Up | p. 309 |
A Typical Print Session | p. 310 |
Tips for Getting the Best Digital Prints | p. 315 |
Printers and Digital Cameras | p. 317 |
Next Up | p. 317 |
Illustrated Glossary | p. 319 |
Index | p. 343 |
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