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The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement
• Examines the letters of Prince Hall, legendary founder of the first black lodge
• Reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, and Nat King Cole
• Explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois
When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women--both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge--the Prince Hall Grand Lodge of Massachusetts--was granted by the Grand Lodge of England rather than any American chapter.
Through privileged access to archives kept by Grand Lodges, Masonic libraries, and museums in both the United States and Europe, respected Freemasonry historian Cécile Révauger traces the history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Abolition Movement and the Civil War to the genesis of the Civil Rights Movement in the early 1900s up through the 1960s. She opens with a look at Prince Hall, legendary founder and the chosen namesake when black American lodges changed from “African Lodges” to “Prince Hall Lodges” in the early 1800s. She reveals how the Masonic principles of mutual aid and charity were more heavily emphasized in the black lodges and especially during the reconstruction period following the Civil War. She explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois, founder of the NAACP, among others.
Looking at the deep connections between jazz and Freemasonry, the author reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, and Paul Robeson. Unveiling the deeply social role at the heart of black Freemasonry, Révauger shows how the black lodges were instrumental in helping American blacks transcend the horrors of slavery and prejudice, achieve higher social status, and create their own solid spiritually based social structure, which in some cities arose prior to the establishment of black churches.
C飩le R鶡uger is a respected historian of Freemasonry and a professor at the University of Bordeaux. The author of several books on Freemasonry in French, she lives in the Bordeaux region of Southern France.
Table of Contents
Foreword by Margaret C. Jacob, Ph.D.
Foreword by Peter P. Hinks, Ph.D.
INTRODUCTION Interpreting the Black Experience
PART ONE The Genesis of Black Freemasonry
ONE Prince Hall Legend and History 8
TWO The Birth of Black Freemasonry
THREE The Major Principles
A Militant Tradition
SIX The Fight for Civil Rights
A Community Takes Control of Its Own Destiny
SEVEN The Cooperative Ideal
EIGHT Women and Black Freemasonry
NINE Jazzmen and Black Artists PART FOUR
The Parted Brothers
TEN The Brothers Who Were Excluded in the Name of the Great Principles
ELEVEN The Racism of White Freemasons
TWELVE Some Attempts to Come Together
THIRTEEN Prince Hall and the French Masonic Obediences
FOURTEEN The Perspective of Prince Hall Freemasons
The Separatist Temptation
FIFTEEN The Caribbean Masonic Space
Between Prince Hall and Europe CONCLUSION To Each His Own Path
AFTERWORD A Question of Democracy by René Le Moal
APPENDIX I Original Prince Hall Charter, General Regulations, and Petitions