Grief and Gender, 700-1700:Edited by Jennifer Vaught and Lynne Dickson:9780312293826:eCampus.com

02 This collection is the first to examine the relation of grief and gender from 700-1700 in the literature and visual arts of England, France, Italy, and Germany. These essays on Anglo-Saxon, later medieval, and Renaissance texts illustrate how representations of grief need to be differentiated historically and in terms of cultural factors that influenced the gendering of this emotion. The collection features original essays by leading authorities in literature and art history, who approach the timely subject of grief and gender from a wide range of theoretical perspectives, including psychoanalysis, historicism, feminism, and cultural materialism and in terms of theories of masculinity and intertextuality.
This collection is the first to examine the relation of grief and gender from 700-1700 in the literature and visual arts of England, France, Italy, and Germany. These essays on Anglo-Saxon, later medieval, and Renaissance texts illustrate how representations of grief need to be differentiated historically and in terms of cultural factors that influenced the gendering of this emotion. The collection features original essays by leading authorities in literature and art history, who approach the timely subject of grief and gender from a wide range of theoretical perspectives, including psychoanalysis, historicism, feminism, and cultural materialism and in terms of theories of masculinity and intertextuality.

This collection is the first to examine the relation of grief and gender from 700-1700 in the literature and visual arts of England, France, Italy, and Germany. These essays on Anglo-Saxon, later medieval, and Renaissance texts illustrate how representations of grief need to be differentiated historically and in terms of cultural factors that influenced the gendering of this emotion. The collection features original essays by leading authorities in literature and art history, who approach the timely subject of grief and gender from a wide range of theoretical perspectives, including psychoanalysis, historicism, feminism, and cultural materialism and in terms of theories of masculinity and intertextuality.

This collection of essays examines the relation of grief and gender in the literature and visual arts of England, France, Italy, and Germany from 700-1700.

Acknowledgements

List of Illustrations

xiii

Introduction

(16)

Jennifer C. Vaught

Part I: Anglo-Saxon and Middle High German Laments

1. From Kinship to Kingship: Mourning, Gender, and Anglo-Saxon Community

(16)

Patricia Clare Ingham

2. Death Rituals and Manhood in the Middle High German Poems The Lament, Johannes von Tepl's The Plowman, and Heinrich Wittenwiler's Ring

(18)

Albrecht Classen

Part II: Medieval Tears and Trauma

3. Disordered Grief and Fashionable Afflictions in Chaucer's Franklin's Tale and the Clerk's Tale

(14)

M.C. Bodden

4. Grief in Avalon: Sir Palomydes' Psychic Pain

(16)

Bonnie Wheeler

Part III: Male, Female, and Cross-Gendered Mourning Rituals in Renaissance Italy and France

5. Augustine's Concessions and Other Failures: Mourning and Masculinity in Fifteenth-Century Tuscany

(14)

Allison Levy

6. Petrarch's "Ladies" and Sappho's "Sirens": Fetishism and Mourning in Renaissance Women's Poetry

(10)

Juliana Schiesari

7. Family Grief: Mourning and Gender in Marguerite de Navarre's Les Prisons

105

(18)

Anne Lake Prescott

Part IV: Elizabethan Loss and Regeneration

8. Grief and Creativity in Spenser's Daphnaida

123

(10)

Donald Cheney

9. Mother's Sorrow, Mother's Joy: Mourning Birth in Edmund Spencer's Garden of Adonis

133

(16)

Theresa M. Krier

10. Venus and Adonis: Spencer, Shakespeare, and the Forms of Desire

149

(14)

Judith H. Anderson

Part V: Gendered Performances of Affect in Shakespeare

11. Tears and Masculinity in the History Play: Shakespeare's Henry VI

163

(14)

Martha A. Kurtz

12. Hamlet and the Genders of Grief

177

(20)

Marshall Grossman

Part VI: The Family, Absence, and Memory in the Seventeenth Century

13. "I might againe have been the Sepulcure": Paternal and Maternal Mourning in Early Modern England

197

(18)

Patricia Phillippy

14. "Mine Own Breaking": Resistance, Gender, and Temporality in Seventeenth-Century English Elegies and Jonson's "Eupheme"

215

(18)

W. Scott Howard

Part VII: Elegies and Rites of Passage-Then and Now

15. For Tommy: Commencement Address, June 1976

233

(10)

Harry Berger, Jr.

16. Afterword; Only a Rite

243

(6)

David Lee Miller

Notes

249

(50)

Contributors

299

(4)

Index

303

Jennifer Vaught is Assistant Professor of English, University of Louisiana at Lafayette.

Lynne Dickson Bruckner is Assistant Professor of English, Chatham College in Pittsburgh.


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