| Introduction |
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1 | (2) |
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The margin, marginality, marginalization: theories and reconsiderations |
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3 | (12) |
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The times of the texts: some broad trends |
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15 | (12) |
| Part I: Women Entertainers |
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Fragmented Margins: The Asobi and Kugutsu |
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27 | (46) |
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Chinese-style writings: textual echoes and strata of allusions |
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30 | (19) |
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The asobi in setsuwa: two contrasting views |
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49 | (24) |
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Manipulating Margins: Ryojin hisho and Goshirakawa |
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73 | (50) |
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The politics of orality, lineage, and rebirth |
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76 | (20) |
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``Sinful women'': interpreting the asobi |
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96 | (27) |
| Part II: Komachi |
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Authored Margins: The Prosperity and Decline of Komachi |
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123 | (52) |
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The prosperity and decline of Ono no Komachi |
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129 | (23) |
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The gendered transformation of an author's oeuvre |
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152 | (23) |
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Ghostly Margins: The Death of Komachi |
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175 | (44) |
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The dead woman and the powers of literary production |
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177 | (22) |
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199 | (20) |
| Part III: Hashihime |
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Return of the Margins: Polygyny, Longing, Demon |
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219 | (70) |
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Aestheticizing polygyny: the pining wife |
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233 | (22) |
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The other side of polygyny: the jealous demon |
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255 | (34) |
| Epilogue |
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289 | (6) |
| Appendix: Translations of Selected Texts |
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295 | (34) |
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Kanbun writings about the asobi and the kugutsu |
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295 | (3) |
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Kanshi on kugutsu in Honcho mudaishi |
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298 | (3) |
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301 | (5) |
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Yamato monogatari (section 145) |
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306 | (1) |
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Tamatsukuri Komachishu sosuisho |
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306 | (16) |
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322 | (1) |
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323 | (1) |
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Kankyo no tomo, Part II, Story 3 |
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324 | (5) |
| Reference Matter |
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| Bibliography |
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329 | (16) |
| Index |
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345 | |