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Related Topics: Fiction >> Medieval
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Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances


Author(s): Brown, Phyllis R.; McMillin, Linda A.; Wilson, Katharina M.
ISBN10:  0802089623
ISBN13:  9780802089625
Format:  Hardcover
Pub. Date:  4/1/2004
Publisher(s): Univ of Toronto Pr

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SummaryTable of ContentsAuthor Biography

Hrotsvit was the first dramatist of Christianity, the first female Saxon poet, the first Germanic author to employ the Faust theme, and one of the first Western writers to compose a Christian epic. The essays in Hrotsvit of Gandersheim examine the historical, cultural, legal, and political contexts of Hrotsvit's works, locating her opus within the tenth-century aristocratic and clerical intellectual milieu.

This collection contextualizes Hrotsvit's works with respect to heroic, sexual, domestic, behavioural, linguistic, theological, and hierarchical aspects of early medieval and patristic literary traditions. It also explores other literary texts that inform Hrotsvit's works and discusses the performance history and theatricality of Hrotsvit's plays.

Hrotsvit's keen awareness of contemporary issues and her determination, within the parameters of monastic-aristocratic ideological constraints, to provide her readers with a rich variety of exemplary female heroes and acts of personal courage, offer twenty-first-century readers a powerful model of responsibility and agency.

Introduction 3(10)
KATHARINA M. WILSON
Section 1. Constructing a Context
Hrotsvit of Gandersheim and the Problem of Royal Succession in the East Frankish Kingdom
13(16)
JAY T. LEES
The Iudex Aequus: Legality and Equity in Hrotsvit's Basilius
29(11)
DAVID DAY
'Weighed down with a thousand evils': Images of Muslims in Hrotsvit's Pelagius
40(19)
LINDA A. MCMILLIN
Section 2. Forming Identities
Violence and Virginity in Hrotsvit's Dramas
59(18)
FLORENCE NEWMAN
Kids Say the Darndest Things: Irascible Children in Hrotsvit's Sapientia
77(19)
DANIEL T. KLINE
The Construction of the Desiring Subject in Hrotsvit's Pelagius and Agnes
96(29)
RONALD STOTTLEMYER
Pulchrum Signum? Sexuality and the Politics of Religion in the Works of Hrotsvit of Gandersheim Composed between 963 and 973
125(22)
ULRIKE WIETHAUS
Section 3. Creating Affinities
Hrotsvit's Dramas: Is There a Roman in These Texts?
147(13)
ROBERT TALBOT
Hrotsvit's Sapientia as a Foreign Woman
160(17)
PHYLLIS R. BROWN
Hrotsvit and the Devil
177(16)
PATRICIA SILBER
Hrotsvit's Latin Drama Gallicanus and the Old English Epic Elene: Intercultural Founding Narratives of a Feminized Church
193(20)
JANE CHANCE
Section 4. Conducting Performances
Hrotsvit's Literary Legacy
213(22)
DEBRA L. STOUDT
'Bring me a soldier's garb and a good horse': Embedded Stage Directions in the Dramas of Hrotsvit of Gandersheim
235(16)
JANET SNYDER
Dramatic Convergence in Times Square: Hrotsvit's Sapientia and Collapsable Giraffe's 3 Virgins
251(14)
JANE E. JEFFREY
Playing with Hrotsvit: Adventures in Contemporary Performance
265(18)
MICHAEL A. ZAMPELLI
Works Cited 283(20)
Contributors 303(2)
Index 305
Phyllis R. Brown is an associate professor in the Department of English at Santa Clara University. Linda A. McMillin is a professor in the Department of History at Susquehanna University. Katharina M. Wilson is a professor in the Department of Comparative Literature at the University of Georgia.

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