| Acknowledgments |
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ix | (2) |
| Introduction |
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xi | (8) |
| List of Contributors |
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xix | |
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The Likeness of God and the Restoration of Humanity in Julian of Norwich's Showings |
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3 | (32) |
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The Image of God: Contrasting Configurations in Julian of Norwich's Showings and Walter Hilton's Scale of Perfection |
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35 | (26) |
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The Trinitarian Hermeneutic in Julian of Norwich's Revelation of Love |
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61 | (30) |
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St. Cecilia and St. John of Beverly: Julian of Norwich's Early Model and Late Affirmation |
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91 | (24) |
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A Genre Approach to Julian of Norwich's Epistemology |
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115 | (38) |
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The Point of Coincidence: Rhetoric and the Apophatic in Julian of Norwich's Showings |
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153 | (30) |
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"I wolde for thy loue dye": Julian, Romance Discourse, and the Masculine |
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183 | (24) |
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207 | (32) |
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"In the Lowest Part of Our Need": Julian and Medieval Gynecological Writing |
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239 | (18) |
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A Question of Audience: The Westminster Text and Fifteenth-Century Reception of Julian of Norwich |
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257 | (34) |
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Leaving the Womb of Christ: Love, Doomsday, and Space/Time in Julian of Norwich and Eastern Orthodox Mysticism |
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291 | (30) |
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| Works Cited |
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321 | (18) |
| Index |
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339 | |