  This book maps the field of seventeenth-century women's writing in Spanish, English, and French and situates the work of Sor Juana more clearly within that field. It holds up the multi-layered, proto-feminist writings of Sor Juana as a meaningful lens through which to focus the literary production of her female contemporaries. Merrim's book advances the integration of Hispanic women authors and women's issues into the panorama of early modern women's writing and opens up unexplored commonalities between Sor Juana and her sister writers. | Preface |
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ix | |
| Introduction: Sor Juana Ines de la Cruz and Early Modern Women's Writing |
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xi | |
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From Anomaly to Icon: Border-Crossings, Catalina de Erauso, and Sor Juana Ines de la Cruz |
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3 | (35) |
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Women on Love, Part I: Love in a Choleric Time |
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38 | (54) |
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Women on Love, Part II: Sor Juana, Maria de Zayas, and Madame de Lafayette |
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92 | (46) |
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Auto-Machia: The Self-Representations of Sor Juana and Anne Bradstreet |
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138 | (53) |
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The New Prometheus: Women's Education, Autodidacticism, and the Will to Signature |
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191 | (60) |
| Notes |
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251 | (46) |
| Bibliography of Works Cited |
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297 | (14) |
| Index |
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311 | |
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