| Introduction |
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1 | (10) |
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| Zayas Bibliography |
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11 | (4) |
| Contributors |
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15 | (8) |
| Part I. History/Literature: The Dynamics of Interdependent Discourses |
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Crisis and Disorder in the World of Maria de Zayas y Sotomayor |
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23 | (17) |
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Zayas as Writer: Hell Hath No Fury |
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40 | (12) |
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Toward a Baroque Reading of ``El verdugo de su esposa'' |
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52 | (23) |
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| Part II. Competing/Completing Discourses: Sexual/Textual Dynamics |
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Re-constituting the Feminine in ``Amar solo por vencer'' |
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75 | (15) |
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The M(Other) Plot: Houses of God, Man and Mother in Maria de Zayas |
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90 | (27) |
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The Sexual Economy in the Narratives of Maria de Zayas |
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117 | (16) |
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Challenging the Code: Honor in Maria de Zayas |
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133 | (22) |
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| Part III. The Dynamics of Desire |
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The Demand for Love and the Mediation of Desire in ``La traicion en la amistad'' |
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155 | (15) |
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``Lo que ha menester'': Erotic Enchantment in ``La inocencia castigada'' |
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170 | (22) |
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Ana/Lysis and Zayas: Reflections on Courtship and Literary Women in the Novelas amorosas y ejemplares |
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192 | (27) |
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| Part IV. The Dynamics of Narrative |
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Madness and Narrative Form in ``Estragos que causa el vicio'' |
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219 | (15) |
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Irony, Parody and the Grotesque in a Baroque Novella: ``Tarde Ilega el desengano'' |
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234 | (21) |
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Cristina Enriquez de Salamanca |
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| Index |
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255 | |
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