Awareness of the ecclesiastical doctrine of discretio spirituum (the means of testing whether visions were truly of divine origin) was vital for medieval women visionaries. Visions and prophecy offered medieval women one of the few pathways to the religious and, in some cases, the political life of their time, but were subject to stringent checks due to the combination of women (deceitful by nature) and deceiving visions. However, those women visionaries who conformed could effectively fulfil their divine mandate to communicate their revelations. This book explores discretio spirituum in the works of a number of female visionaries: they include St Bridget of Sweden, who was eager to present her experiences as impeccably orthodox and valid; Margery Kempe, whose ambivalent reception is shown to be due to her inconsistent conformity to the doctrine; and Marguerite Porete and Joan of Arc, whose deaths by burning at the stake demonstrate the severe consequences of their failure to conform, their visions being deemed of demonic origin.Dr ROSALYNN VOADEN teaches in the Department of English at Arizona State University.

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Visions and prophecy offered medieval women one of the few pathways to authority in religious and, in some cases, political life. The ecclesiastical doctrine of discretio spirituum was a means of testing whether visions were truly of divine origin: the gift of revelation was not seen to make a woman less dangerous or ready to deceive, and the conjunction of deceitful women and deceiving visions demanded stringent checks and controls by ecclesiastical authorities. This book first explores discretio spirituum in the Revelaciones of St Bridget of Sweden and suggests that Bridget was clearly aware of the rules and eager to present her experiences as impeccably orthodox; in contrast, the ambivalent reception of Margery Kempe and her Book is shown to be due to her inconsistent conformity to the doctrine. The consequences of failure to conform could be severe: Marguerite Porete and Joan of Arc were burned at the stake, ostensibly because their visions were deemed to be of demonic origin.

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An examination of awareness of the ecclesiastical doctrine of discretio spirituum, the means of testing whether visions were truly of divine origin, in the works of medieval women visionaries from Bridget of Sweden to Joan of Arc.