| Acknowledgments |
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ix | |
| Introduction |
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xi | |
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| Section One: Defining the Nature of Fear |
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The Complexity and Importance of timor in Aquinas's Summa Theologiae |
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1 | (16) |
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Fear and Instinct in Chaucer's Nun's Priest's Tale |
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17 | (16) |
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| Section Two: Uses Of Fear |
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| Fear and Religion |
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Fear of Falling: Depicting the Death of Judas in Late Medieval Italy |
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33 | (33) |
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The Fear of Divine Vengeance: Mnemonic Images as a Guide to Conscience in the Late Middle Ages |
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66 | (26) |
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Orthodox Fears: Anti-Inquisitorial Violence and Defining Heresy |
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92 | (15) |
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| Fear in Politics and Cultural Identity |
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Evangelico mucrone: With an Evangelical Sword: Fear as a Weapon in the Early Evangelization of Gaul |
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107 | (18) |
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Fear, Loathing, and Deadly Rivalry in the Frankish Polygamous Royal Family |
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125 | (12) |
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Fear and Power in Renaissance Mediterranean Kabbalah |
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137 | (15) |
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Kabbalistic Tocinofobia: Americo Castro, Limpieza de Sangre and The Inner Meaning of Jewish Dietary Laws |
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152 | (37) |
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| Fear as a Literary and Dramatic Device |
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Fear of the Supernatural as a ``Pleasante and Merry Humour'' in Two of Newcastle's Comedies |
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189 | (17) |
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From Fearsome to Fearful: Panurge's Satirical Waning |
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206 | (35) |
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| Section Three: Individual Responses to Fear |
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| The Fear of Courtly Lovers, Knights, and Poets |
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Christine de Pizan's Frightened Lovers |
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241 | (14) |
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Gender and Fear: Malory's Lancelot and Knightly Identity |
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255 | (19) |
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To Fear or not to Fear, that is the Question: Oswald von Wolkenstein Facing Death and Enjoying Life: Fifteenth-Century Mentalitatsgeschichte Reflected in Lyric Poetry |
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274 | (21) |
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| Fear and the Mystic |
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Mitigations of the Fear of Hell and Purgatory in the Later Middle Ages: Julian of Norwich and Catherine of Genoa |
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295 | (16) |
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``a hevynly joy in a dredfulle soule'': Julian of Norwich's Articulations of Dread |
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311 | (30) |
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| Notes on Contributors |
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341 | (4) |
| Index |
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345 | |