| Introduction |
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The Voice of Silence: A Chilean-Flemish Research Project |
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vii | |
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From Hildegard to Hadewijch: The Reappearance of the Female Voice in Medieval Literate Culture |
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Priests, Prophets, and Magicians: Max Weber and Pierre Bourdieu vs Hildegard of Bingen |
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3 | (20) |
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Feminea Forma and Virga: Two Images of Incarnation in Hildegard of Bingen's Symphonia |
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23 | (14) |
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The Eve-Mary Dichotomy in the Symphonia of Hildegard of Bingen |
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37 | (10) |
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Virginitas and Auctoritas: Two Threads in the Fabric of Hildegard of Bingen's Symphonia armonie celestium revelationum |
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47 | (10) |
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Gender and Genre: The Design of Hadewijch's Book of Visions |
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57 | (28) |
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Religious Women and their Books: A Flourishing Reading and Writing Culture |
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`Staining the Speech of Things Divine': The Uses of Literacy in Medieval Beguine Communities |
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85 | (26) |
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Reading, Writing, and Devotional Practices: Lay and Religious Women and the Written Word in the Low Countries (1350-1550) |
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111 | (16) |
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Songs of Praise for the `Illiterate': Latin Hymns in Middle Dutch Prose Translation |
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127 | (18) |
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Literate Women Beheld by Men: Male Representations of Female Writing and Reading Practices |
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De litterali et morali earum instruccione: Women's Literacy in Thirteenth-Century Latin Agogic Texts |
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145 | (22) |
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The `Various Writings of Humanity': Johannes Tauler on Hildegard of Bingen's Scivias |
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167 | (26) |
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Ex levitate mulierum: Masculine Mysticism and Jan van Ruusbroec's Perception of Religious Women |
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193 | (14) |
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Check and Double-check: An Unknown Vision Cycle by a Religious Woman from the Low Countries |
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207 | (16) |
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`Silent Women, Holy Women?': Some Reflections on the Voice of Silence |
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223 | |
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