| Preface |
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xi | |
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1 | (17) |
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Why Write about the Movies? |
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1 | (5) |
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Your Audience and the Aims of Film Criticism |
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6 | (8) |
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7 | (1) |
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8 | (2) |
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10 | (1) |
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11 | (3) |
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14 | (3) |
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17 | (1) |
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Beginning to Think, Preparing to Watch, and Starting to Write |
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18 | (18) |
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Subject Matter and Meaning |
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22 | (1) |
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Silent Dialogue: Talking Back to the Movies |
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22 | (4) |
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26 | (3) |
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Visual Memory and Reflection |
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29 | (6) |
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35 | (1) |
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Film Terms and Topics for Film Analysis and Writing |
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36 | (46) |
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37 | (2) |
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39 | (9) |
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39 | (4) |
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43 | (3) |
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46 | (1) |
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47 | (1) |
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Mise-en-Scene and Realism |
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48 | (9) |
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48 | (3) |
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Elements of Mise-en-Scene |
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51 | (6) |
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Composition and the Image |
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57 | (15) |
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58 | (7) |
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65 | (7) |
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72 | (4) |
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76 | (4) |
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80 | (2) |
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Six Approaches to Writing About Film |
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82 | (27) |
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83 | (2) |
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85 | (2) |
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87 | (2) |
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89 | (1) |
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90 | (2) |
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92 | (3) |
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95 | (13) |
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108 | (1) |
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Style and Structure in Writing |
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109 | (18) |
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112 | (3) |
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112 | (1) |
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Denotation and Connotation |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (2) |
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115 | (1) |
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Varied Sentence Structures |
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116 | (1) |
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117 | (4) |
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121 | (2) |
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123 | (1) |
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Checklist for Writing an Effective Essay |
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124 | (2) |
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126 | (1) |
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127 | (30) |
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130 | (2) |
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The Materials of Research |
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132 | (10) |
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133 | (1) |
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133 | (1) |
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134 | (1) |
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Secondary Sources: Books, Indexes, Journals, and Electronic Sources |
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135 | (7) |
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Film Research on the Internet |
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142 | (3) |
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Taking Notes on Secondary Sources |
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145 | (1) |
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146 | (2) |
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148 | (7) |
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155 | (2) |
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157 | (18) |
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157 | (1) |
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158 | (2) |
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160 | (2) |
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162 | (3) |
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164 | (1) |
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165 | (6) |
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165 | (2) |
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167 | (3) |
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Notes Supplying Additional Commentary |
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170 | (1) |
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Common Conventions of Usage |
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171 | (3) |
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171 | (1) |
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172 | (1) |
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Foreign Words and Quotation Marks |
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172 | (1) |
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173 | (1) |
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173 | (1) |
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174 | (1) |
| Appendix: Symbols Commonly Used in Marking Papers |
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175 | (2) |
| Glossary of Film Terms |
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177 | (6) |
| Works Cited |
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183 | (2) |
| Credits |
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185 | (2) |
| Index |
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187 | |
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