| How to Use This Book |
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1 | (1) |
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1 | (1) |
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How to approach unfamiliar or difficult texts |
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1 | (1) |
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2 | (1) |
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2 | (1) |
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Why Read T.S. Eliot Today? |
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3 | (9) |
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3 | (1) |
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4 | (1) |
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The relationships between reading and writing |
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5 | (2) |
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7 | (1) |
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7 | (1) |
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In search of identity, belief and the modern |
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8 | (3) |
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11 | (1) |
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How to Approach Eliot's Work |
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12 | (7) |
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Read it carefully several times |
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12 | (1) |
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13 | (1) |
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Reading `The Love Song of J. Alfred Prufrock' |
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14 | (2) |
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Reading `The Fire Sermon' from The Waste Land |
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16 | (1) |
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17 | (1) |
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18 | (1) |
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19 | (11) |
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19 | (2) |
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21 | (1) |
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21 | (2) |
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23 | (1) |
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Influences: writers and thinkers |
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23 | (2) |
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25 | (1) |
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25 | (2) |
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27 | (1) |
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28 | (1) |
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28 | (1) |
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29 | (1) |
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30 | (24) |
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`The Love Song of J. Alfred Prufrock' |
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31 | (4) |
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Some other early poems: `The Preludes' |
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35 | (1) |
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`Gerontion' and `Sweeney Among the Nightingales' |
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35 | (1) |
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36 | (10) |
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46 | (2) |
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48 | (3) |
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51 | (1) |
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52 | (1) |
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53 | (1) |
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Contemporary Critical Approaches |
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54 | (9) |
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Eliot as an innovator in a time of change |
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54 | (1) |
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Eliot as critic (of himself) |
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54 | (1) |
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The response to the early poetry |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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The response to The Waste Land |
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58 | (2) |
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Growing reputation and success |
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60 | (2) |
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62 | (1) |
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Modern Critical Approaches |
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63 | (11) |
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63 | (1) |
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Eliot and modernity (a second time) |
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64 | (1) |
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65 | (1) |
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Eliot and ideology, sexuality and nationality |
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66 | (7) |
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73 | (1) |
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74 | (4) |
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Read more of Eliot's writing |
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74 | (1) |
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75 | (1) |
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Read those who influenced him |
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76 | (1) |
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76 | (1) |
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77 | (1) |
| Chronology of Major Works |
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78 | (2) |
| Glossary |
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80 | (4) |
| Further Reading List |
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84 | (2) |
| Index |
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86 | |
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