| How to Use This Book |
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| Begin reading the author |
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| How to approach unfamiliar or difficult texts |
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| Vocabulary |
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| Summary |
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1 | (4) |
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4 | (1) |
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5 | (12) |
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5 | (1) |
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5 | (1) |
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6 | (1) |
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Why Rushdie writes as he does |
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7 | (1) |
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7 | (3) |
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10 | (2) |
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12 | (2) |
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The burden of representation |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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Major Works (1): The Fiction |
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17 | (17) |
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17 | (2) |
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19 | (3) |
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22 | (2) |
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24 | (2) |
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Haroun and the Sea of Stories |
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26 | (2) |
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28 | (1) |
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28 | (2) |
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The Ground Beneath Her Feet |
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30 | (1) |
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31 | (2) |
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33 | (1) |
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34 | (13) |
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The boundaries of the text |
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34 | (5) |
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Beyond the boundaries of the real |
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39 | (1) |
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Other voices, other times |
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40 | (3) |
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Other bodies, other minds |
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43 | (2) |
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Salman and the sea of stories |
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45 | (1) |
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46 | (1) |
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Major Works (2): The Non-Fiction Writing |
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47 | (11) |
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47 | (2) |
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49 | (3) |
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52 | (1) |
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53 | (4) |
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57 | (1) |
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58 | (12) |
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58 | (1) |
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Journalism and literary criticism |
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58 | (3) |
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Academic literary criticism |
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61 | (1) |
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Rushdie's place in literature |
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62 | (1) |
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Rushdie as a postmodernist? |
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63 | (5) |
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The successes, and the rest |
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68 | (1) |
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69 | (1) |
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Reading Rushdie in the Twenty-First Century |
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70 | (4) |
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70 | (2) |
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72 | (1) |
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73 | (1) |
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74 | (3) |
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74 | (1) |
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74 | (1) |
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75 | (2) |
| Glossary |
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77 | (4) |
| Chronology of Major Works |
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81 | (1) |
| Further Reading |
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82 | (2) |
| Index |
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