| Acknowledgements |
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ix | |
| Introduction |
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xiii | |
| PART 1 Nineteenth-Century German Aesthetics |
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1 | (62) |
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3 | (13) |
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Extracts from `Analytic of Aesthetic Judgment' and `Dialectic of Aesthetic Judgment', Critique of Judgment |
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16 | (19) |
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Extracts from Aesthetics: Lectures on Fine Art |
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35 | (18) |
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On Truth and Lie in an Extra-Moral Sense |
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53 | (10) |
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| PART 2 Phenomenology and Hermeneutics |
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63 | (132) |
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65 | (15) |
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The Origin of the Work of Art |
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80 | (22) |
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102 | (15) |
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117 | (12) |
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The World of the Aesthetic Object |
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129 | (22) |
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The Dialectics of Outside and Inside |
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151 | (13) |
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The Interwining - The Chiasm |
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164 | (17) |
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Aesthetics and Hermeneutics |
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181 | (6) |
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The Death or Decline of Art |
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187 | (8) |
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| PART 3 Marxism and Critical Theory |
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195 | (100) |
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197 | (13) |
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Private Property and Communism |
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210 | (10) |
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Specific Particularity as the Central Category of Aesthetics |
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220 | (14) |
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Extracts from Minima Moralia: Reflections from Damaged Life |
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234 | (23) |
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257 | (11) |
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Modernity versus Postmodernity |
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268 | (10) |
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Extract from `Questions and Counterquestions' |
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278 | (4) |
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Postmodernism and Consumer Society |
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282 | (13) |
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| PART 4 Modernism |
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295 | (70) |
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297 | (8) |
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305 | (17) |
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The Work of Art in the Age of Mechanical Reproduction |
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322 | (22) |
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344 | (11) |
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Artistic Illusion as Visible Anticipatory Illumination |
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355 | (10) |
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| PART 5 Poststructuralism and Postmodernism |
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365 | (124) |
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367 | (17) |
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Sancity, Eroticism and Solitude |
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384 | (8) |
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The Plates of the Encyclopedia |
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392 | (9) |
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401 | (11) |
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412 | (17) |
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429 | (15) |
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444 | (9) |
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The Sublime and the Avant-Garde |
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453 | (12) |
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Percept, Affect, and Concept |
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465 | (24) |
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| PART 6 Psychoanalysis and Feminism |
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489 | (109) |
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491 | (15) |
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506 | (13) |
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Of the Gaze as Objet Petit a |
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519 | (23) |
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542 | (21) |
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The Invisible of the Flesh: A Reading of Merleau-Ponty, `The Intertwining - The Chiasm' |
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563 | (20) |
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The Last Painting or the Portrait of God |
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583 | (15) |
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| Select bibliography of major works in English |
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598 | (13) |
| Index |
|
611 | |
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