| Dedication |
|
v | |
| Acknowledgments |
|
ix | |
| Foreword |
|
xi | |
|
|
|
|
|
| Preface |
|
xiii | |
|
A. Work As a Socializing Influence |
|
|
1 | (8) |
|
B. The Historical Significance of Birds |
|
|
7 | (2) |
|
Tools Required and How to Care for Them |
|
|
9 | (10) |
|
Before the Carving Begins |
|
|
19 | (6) |
|
Costume Jewelry (Project No. 1) |
|
|
25 | (8) |
|
A Skein of Geese (Project No. 2) |
|
|
33 | (12) |
|
Let's Carve a Decoy Duck (Project No. 3) |
|
|
45 | (8) |
|
Belted Kingfisher (Project No. 4) |
|
|
53 | (10) |
|
The Great Blue Heron (Project No. 5) |
|
|
63 | (4) |
|
Bird Models of Polyester Filler |
|
|
67 | (12) |
|
The Workbench (Project No. 6) |
|
|
79 | (10) |
|
Marquetry (Project No. 7) |
|
|
89 | (8) |
|
Checking, Shrinking, and Blemishes |
|
|
97 | (8) |
|
|
|
105 | (14) |
|
|
|
119 | (14) |
|
Ideas: From Every Burning Bush! |
|
|
133 | (10) |
|
Wood: The Wood-carver's Medium |
|
|
143 | (8) |
|
Picture Gallery of Carvings by the Leading Wildfowl Carvers of America |
|
|
151 | (52) |
| Appendix |
|
203 | (2) |
| Index |
|
205 | |
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