This book offers the first comprehensive look at the use of imaginary letters in Greek literature from Homer to Philostratus. By imaginary letters, it means letters written in the voice of another, and either inserted into a narrative (epic, historiography, tragedy, the novel), or comprising a free-standing collection (e.g. the Greek love letter collections of the Imperial Roman period). The book challenges the notion that Ovid "invented" the fictional letter form in the Heroides, and considers a wealth of Greek antecedents for the later European epistolary novel tradition.
The first comprehensive look at the use of imaginary letters in Greek literature.| Acknowledgments |
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ix | |
| Prologue |
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1 | (18) |
| I EPISTOLARITY: AN INTRODUCTION |
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A culture of letter writing |
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19 | (20) |
| II EPISTOLARY FICTIONS |
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Homer: the father of letters |
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39 | (6) |
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Letters in the historians |
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45 | (16) |
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Staging letters: embedded letters in Euripides |
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61 | (37) |
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Letters in Hellenistic poetry |
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98 | (35) |
| III THE EPISTOLARY NOVEL |
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Embedded letters in the Greek novel |
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133 | (36) |
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169 | (24) |
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Pseudonymous letter collections |
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193 | (41) |
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Chion of Heraclea: an epistolary novel |
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234 | (21) |
| IV EPISTOLOGRAPHY IN THE SECOND SOPHISTIC |
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255 | (53) |
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308 | (14) |
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The Erotic Epistles of Philostratus |
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322 | (17) |
| Afterword |
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339 | (8) |
| Bibliography |
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347 | (16) |
| Index |
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363 | |