| Preface Temporary Buildings -- a Story of Space and Time |
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8 | (4) |
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| Introduction |
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12 | (8) |
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From Nomad's Tent to Multimedia Vision A short history of temporary buildings |
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20 | (31) |
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| Structural Design as a Main Formal Topic |
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51 | (38) |
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Structural Design and Architectonic Expression -- Development of the Gestalt |
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52 | (10) |
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Memorable Rooms in Modular Form |
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62 | (6) |
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Complex System Structures |
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68 | (4) |
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Translucent Trade-Fair Stand Architecture |
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72 | (4) |
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Trade-Fair Stands and Architecture -- a very personal view |
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76 | (6) |
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A Method for Finding Specific Approaches to Specific Problems |
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82 | (7) |
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| The Composition of Volumetric Bodies |
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89 | (20) |
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Analysis of the Products - the ``genius loci'' in trade-fair construction |
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90 | (6) |
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High Shelves as a Framework |
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96 | (4) |
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100 | (4) |
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104 | (5) |
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| House within a House - a City in Miniature |
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109 | (50) |
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Emotionality is Necessary. Silence can Be |
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110 | (6) |
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Networking and Interlinking - the Digital City |
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116 | (8) |
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Games of Dice in Primary Colours |
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124 | (8) |
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A Temple and a Nomad's Tent as Media Stars |
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132 | (12) |
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144 | (6) |
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Showcase(s) in (as) a Sequence of Rooms and Themes |
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150 | (4) |
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154 | (5) |
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| The Stage-Management of Space |
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159 | (85) |
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Interdisciplinary Stage-Management on the Trade-Fair Platform |
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160 | (8) |
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168 | (6) |
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The Word as Construction and the Construction as Word |
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174 | (6) |
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The Light-Pipe Under the Cupola |
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180 | (8) |
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188 | (6) |
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An Exhibition Landscape of Mountains |
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194 | (6) |
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200 | (6) |
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Dynamics, Speed and Graffiti |
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206 | (4) |
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210 | (6) |
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216 | (7) |
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The Design Demands of Trade-Fair Architecture versus Commercial Calculation |
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223 | (21) |
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| Picture References |
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244 | (1) |
| Selected Bibliography |
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245 | (2) |
| Addresses of Architects and Designers |
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247 | |
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