| Acknowledgments |
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| Introduction: George Orwell into the Twenty-first Century |
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1 | (22) |
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| I. THE USE AND ABUSE OF NINETEEN EIGHTY-FOUR |
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Chapter 1 Abolishing the Orgasm: Orwell and the Politics of Sexual Persecution |
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23 | (22) |
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Chapter 2 In Defense of Comrade Psmith: The Orwellian Treatment of Orwell |
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45 | (18) |
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Chapter 3 Hope against Hope: Orwell's Posthumous Novel |
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63 | (14) |
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| II. IDEAS, IDEOLOGIES, AND INTELLECTUALS |
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Chapter 4 George Orwell and the Liberal Experience of Totalitarianism |
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77 | (9) |
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Chapter 5 On the Ethics of Admiration-and Detraction |
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86 | (10) |
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Chapter 6 The Public Intellectual as Connected Critic: George Orwell and Religion |
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96 | (15) |
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Chapter 7 Orwell, Pacifism, Pacifists |
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111 | (15) |
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Chapter 8 Varieties of Patriotic Experience |
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126 | (19) |
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Chapter 9 Vulgar Nationalism and Insulting Nicknames: George Orwell's Progressive Reflections on Race |
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145 | (15) |
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Chapter 10 Orwell's "Smelly Little Orthodoxies"-and Ours |
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160 | (18) |
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Chapter 11 Orwell in an Age of Celebrity |
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178 | (9) |
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| III. OF BIOGRAPHY AND AUTOBIOGRAPHY |
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Chapter 12 Writing about Orwell: A Personal Account |
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187 | (7) |
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Chapter 13 Orwell: Unmasker of Underlying Realities |
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194 | (6) |
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Chapter 14 Third Thoughts about Orwell? |
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200 | (15) |
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| IV. LITERARY AND STYLISTIC ISSUES |
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Chapter 15 Orwell's Perversity: An Approach to the Collected Essays |
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215 | (14) |
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Chapter 16 Prescience and Resilience in George Orwell's Political Aesthetics |
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229 | (14) |
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Chapter 17 Outside/Inside: Searching for Wigan Pier |
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243 | (9) |
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Chapter 18 Orwell's Satirical Vision on the Screen: The Film Versions of Animal Farm and Nineteen Eighty-Four |
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252 | (15) |
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| V. ORWELL ABROAD |
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Chapter 19 George Orwell: Russia's Tocqueville |
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267 | (19) |
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Chapter 20 May Days in Barcelona: Orwell, Langdon-Davies, and the Cultural Memory of War |
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286 | (9) |
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Chapter 21 From Ingsoc to Capsoc: Perceptions of Orwell in France |
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295 | (17) |
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| About the Contributors |
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312 | |
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