| PART ONE - 1968 THE ENGLISH AT WORK AND PLAY |
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3 | (3) |
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6 | (1) |
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``Who?'' ``The Man who designed the Apple Label'' ``Who?'' ``You Know, Michelangelo, the Guy who painted the Mona Lisa.'' |
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7 | (3) |
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The declaration of innocence |
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10 | (1) |
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Who's who in the Zoo: Some of the Players |
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11 | (1) |
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12 | (3) |
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15 | (2) |
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Derek Taylor of the Hoylake and West Kirby Advertiser |
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17 | (5) |
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The Early Days of a Record Company's Struggle to Reach the Top; The Acquisition of Apple Talent |
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22 | (2) |
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24 | (5) |
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You Learn Something New Every Day |
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29 | (1) |
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30 | (3) |
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For a Penny you can Buy a Book of Matches and Set Yourself on Fire |
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33 | (2) |
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``Because I don't Love the Queen But I Do Love Yoko'' |
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35 | (2) |
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37 | (2) |
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LSD Conditions and Beautifies Troubled Hair in Seconds |
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39 | (4) |
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43 | (2) |
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45 | (2) |
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If it Looks Good, Buy It! |
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47 | (1) |
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Once Around the Piazza, Driver! |
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48 | (5) |
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Dialogue/Dialogue/Dialogue |
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53 | (1) |
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54 | (1) |
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54 | (2) |
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56 | (1) |
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Art is Long, Life is Short, Judgment Difficult, Opportunity Fleeting |
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57 | (1) |
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57 | (1) |
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There Has Got to Be More than Love to this |
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58 | (1) |
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Dialogue/Dialogue/Dialogue |
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58 | (1) |
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58 | (2) |
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60 | (1) |
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Like Brinsley Schwartz over Troubled Waters |
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60 | (2) |
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Dialogue/Dialogue/Dialogue |
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62 | (3) |
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65 | (1) |
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66 | (2) |
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68 | (2) |
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Popular Photography for Fun and Profit |
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70 | (1) |
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Dialogue/Dialogue/Dialogue |
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71 | (1) |
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Play the Album cover and Throw the Record Away: Beatle Demystification |
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72 | (2) |
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The Procession of the Papparazzi |
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74 | (1) |
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A Double-Decker Ace Blue Meanie |
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75 | (1) |
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76 | (3) |
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79 | (1) |
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80 | (1) |
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And don't Forget to Light a Candle for Me When I'm Gone |
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80 | (1) |
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81 | (1) |
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``When we do right no one Remembers, When we Do wrong no one Forgets'' |
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82 | (9) |
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Our Motto: Pleasure Before Business |
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91 | (1) |
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Lost a son But Gained a Daughter |
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92 | (1) |
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93 | (5) |
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The Battle for the Largest Turkey in Great Britain |
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98 | (9) |
| PART TWO - 1969 ``HEY, MAN HOW DO I GET IN TOUCH WITH RINGO STARR?'' |
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107 | (1) |
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Will you Love Me in Walla Walla Like you did in sing sing? |
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108 | (1) |
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Good-Bye my Fiji Island Baby |
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108 | (1) |
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Dialogue/Dialogue/Dialogue |
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109 | (3) |
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Chopped Liver, Wherever you're Going I'm Going your Way |
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112 | (5) |
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Jack the Ripper-Offer Strikes Again |
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117 | (2) |
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119 | (1) |
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120 | (1) |
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Can You Spare a Sixpence for a Steak Dinner? |
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120 | (1) |
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121 | (1) |
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In the Name of the Father (John Lennon) and of the son (John Lennon) and of the Holy Ghost (John Lennon) Amen |
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121 | (2) |
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The Laughter, the Heartache and the Pulse-Pounding Excitement of the Golden Age of Scottish Gorbals Rock-White Trout---Fresh Daily! |
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123 | (9) |
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The Bright Lights of Savile Row |
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132 | (4) |
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136 | (1) |
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The Titanic Passing the Andrea Doria in the Night |
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136 | (1) |
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And Now it is Our Pleasure to Announce this Year's Winner of the Nobel Prize for Literature |
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137 | (1) |
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138 | (1) |
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Some People will believe Anything |
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139 | (1) |
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Where progress is never our most Important Product |
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139 | (1) |
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140 | (1) |
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Dialogue/Dialogue/Dialogue |
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141 | (2) |
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143 | (1) |
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In which the Truth is Revealed in the Hard Light of Day |
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144 | (1) |
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145 | (1) |
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146 | (1) |
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Mary Hopkin at the General Post Office Tower and a Barrel for Beatle John |
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146 | (10) |
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In Order to Comply with Accepted Community Standards |
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156 | (4) |
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Bad Timing and Who's been Reading Oliver Twist? |
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160 | (1) |
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No, No, a Thousand Times No! |
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161 | (1) |
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There is still no Truth to the Rumor that Paul McCartney of the Beatles will |
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162 | (1) |
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A Triple-Decker Ace Blue Meanie |
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163 | (3) |
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Dialogue/Dialogue/Dialogue |
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166 | (2) |
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168 | (8) |
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Dialogue/Dialogue/Dialogue |
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176 | (1) |
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There's a Hot-Dog Stand on the Corner of the United States of America and It's Calling Me Back Home |
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177 | (5) |
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Allen Klein and the Deoppilation of Apple |
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182 | (1) |
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It's a Great Place to Get Stoned But I Wouldn't Want to Work There |
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183 | (5) |
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Further details Available from Apple/Regent 8232 |
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188 | (1) |
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Toreador, Don't Spit on the Floor |
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188 | (1) |
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189 | (2) |
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Jesse James, the Famous Train Robber Said: ``I'm Gonna Rob All your Women and Rape All your Men!'' A Startled Victim Protested: ``Jesse, Aren't You a Bit Confused? Shouldn't it be the Other Way Around?'' One of Jesse's Henchmen Lisped: ``You Leave Jesse Alone! He knows What He's Doing!'' |
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191 | (3) |
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Ten Pounds a Week and All You Can Steal |
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194 | (3) |
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197 | (3) |
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A Good Spot of PR for John and Yoko |
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200 | (3) |
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203 | (2) |
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Join Apple and See the World/The Montreal-Bahamas Bed-In |
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205 | (2) |
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207 | (1) |
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The House of the Open Door |
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208 | (1) |
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Dialogue/Dialogue/Dialogue |
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209 | (2) |
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211 | (1) |
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211 | (4) |
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``Listen, if you can Get the Papers Drawn Up Real Quick I've Got Someone Who is Ready to Buy the Brooklyn Bridge'' |
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215 | (1) |
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The Salvatore Guliano Commando Unit of the Popular Front for the Liberation of Reggio Calabria and the Sundance Kid |
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216 | (2) |
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218 | (1) |
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219 | (1) |
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Dialogue/Dialogue/Dialogue |
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220 | (1) |
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221 | (1) |
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222 | (3) |
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The Pulse-Pounding Excitement of the Golden Age of Scottish Gorbals Rock Continues |
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225 | (5) |
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Wait Till You Hear This One! |
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230 | (2) |
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With Love and All Good Wishes |
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232 | (3) |
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Dialogue/Dialogue/Dialogue |
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235 | (1) |
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Bad News and Wildcat Publicity |
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236 | (1) |
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237 | (1) |
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This Grisly Rumor Receives ``The Press Offices of The World Award'' for Being the Biggest Pain in the Ass of 1969 |
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238 | (3) |
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Dialogue/Dialogue/Dialogue |
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241 | (2) |
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The Last of the Sundance Kid |
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243 | (3) |
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246 | (2) |
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248 | (1) |
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Dialogue/Dialogue/Dialogue |
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248 | (1) |
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But Who Murdered Britain? |
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249 | (1) |
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250 | (5) |
| PART THREE - 1970 ``WE DO NOT WISH TO ADD ANY MORE TO THE DIALOGUE ALREADY IN THE MEDIA'' |
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Dialogue/Dialogue/Dialogue |
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255 | (2) |
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257 | (3) |
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260 | (1) |
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261 | (1) |
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Dialogue/Dialogue/Dialogue |
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261 | (3) |
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When Sophia Loren was asked about the Similarity Between her looks and those of Gina Lollobrigida she replied, ``It is like the Difference between a Fine Race Horse and a Donkey but I'm not saying Who is What'' |
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264 | (3) |
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Dialogue/Dialogue/Dialogue |
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267 | (1) |
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268 | (2) |
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270 | (1) |
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The Flame Flickers Some More |
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271 | (13) |
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Let's Go to the Moving Pictures |
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284 | (2) |
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Three Little Indians Sitting on a Fence |
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286 | (4) |
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290 | (1) |
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The New Press Officer gets it on |
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291 | (1) |
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A Swan Singing a song Flew Past the Press Office Window and No one Even Noticed |
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291 | (1) |
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292 | (5) |
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297 | (1) |
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298 | (33) |
| PART FOUR - 1971 SILENCE IN THE COURT TIL THE JUDGE BLOWS HIS NOSE |
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January 1, 1971 Through April 27, 1971 |
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301 | (28) |
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The Last Chapter/La Reve N'est Pas Finie |
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329 | (2) |
| Appendix I: The Beatles from 1962 |
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331 | (6) |
| Appendix II: Beatles' Tour Information |
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337 | (8) |
| Appendix III: A Beatle Discography |
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345 | (18) |
| Appendix IV: Happy Birthdays |
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363 | |
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