| Introduction |
|
7 | (4) |
|
Scenography and the Camera: Miss Julie, A Dream Play, and The Ghost Sonata |
|
|
11 | (28) |
|
Strindberg's `Optical Unconscious' |
|
|
39 | (20) |
|
Screen-Scenes in Creditors |
|
|
59 | (24) |
|
Representation of Death in the Chamber Plays |
|
|
83 | (20) |
|
Deus ex machina in the Modern Theatre |
|
|
103 | (20) |
|
The Black Glove at Dramaten, 1988 |
|
|
123 | (20) |
|
Slapping Women: Ibsen's Nora, Strindberg's Julie and Freud's Dora |
|
|
143 | (24) |
|
Strindberg and the Codes of the Hebrew Language |
|
|
167 | (18) |
|
Strindberg's Dreams and other Fictions |
|
|
185 | (14) |
| Notes |
|
199 | (18) |
| Index |
|
217 | (3) |
| Acknowledgements |
|
220 | |
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