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Concept, Design and Execution. The Intervention of the Patron |
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1 | (26) |
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| I. Concept |
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27 | (100) |
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Painters and Patrons in Antwerp in the Sixteenth and Seventeenth Centuries |
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29 | (14) |
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Humanism, Allegorical Invention, and the Personification of the Continents |
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43 | (30) |
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Bedrooms and Banquets: Mythology in Sixteenth-Century Flemish Painting |
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73 | (24) |
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Confraternity and Art in the St Jacob's Church, Antwerp: A Case Study of the Altar of the Brotherhood of St Rochus |
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97 | (14) |
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Peter Paul Rubens en Jan Brueghel I: de drijfveren van hun samenwerking |
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111 | (16) |
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| II. Design |
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127 | (66) |
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Working it out: Design Tools and Procedures in Sixteenth- and Seventeenth-century Flemish Art |
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129 | (24) |
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Rubens as Thief: His Use of Past Art and Some Adaptations from Primaticcio |
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153 | (18) |
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Ruben's Paintings for the Banqueting House: A Talk Partially Recaptured |
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171 | (4) |
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Consistency and Change in Rubens's Preliminary Drawings |
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175 | (18) |
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| III. Execution |
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193 | |
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The Execution of Flemish Paintings between 1550 and 1700: A Survey of the Main Stages |
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195 | |
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Seriewerk en recyclage: doorgedreven efficientie in het geroutineerde atelier van Jacob Jordaens |
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213 | |
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Van zelfbeeld tot ezel: kunstenaarsalaam op zestiende- en zeventiende-eeuwse zelfportretten |
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233 | |
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Katlijne Van der Stighelen |
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Entstehung und Veranderung von Rubens' Bildgedanken. Zum Beispiel die `Zwei Satyrn' in der Alten Pinakothek |
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261 | |
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The Construction and Development of Rubens's Landscapes: Reflections on the London Exhibition |
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267 | |
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Rubens and Dead Colouring: Some Remarks on two Unfinished Paintings |
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279 | |
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