| Introduction |
|
11 | (14) |
| Part One--Philosophical Basis |
|
25 | (120) |
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|
25 | (26) |
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|
51 | (66) |
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2.1 Positivism and George Eliot |
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|
51 | (10) |
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2.2 Auguste Comte's Philosophical Basis |
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|
61 | (13) |
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2.3 Auguste Comte's Basic Pilosophy (Abstract) |
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|
74 | (14) |
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2.4 Auguste Comte's Basic Philosophy (Concrete) |
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|
88 | (29) |
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3. Comtean Influence in George Eliot |
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|
117 | (28) |
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3.1 The Artist as Enhancer of Religion |
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117 | (17) |
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3.2 The Artist and the Problem of Determinism |
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|
134 | (11) |
| Part Two--Literary Endeavors |
|
145 | (264) |
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4. Particular Promises--Scenes of Clerical Life |
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145 | (42) |
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5. Arcadia Betrayed--Adam Bede |
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187 | (34) |
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6. Stages (One)--The Mill on the Floss |
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221 | (34) |
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7. Intrusive Moral Fable?--Silas Marner |
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|
255 | (18) |
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273 | (42) |
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9. Unravelling Enravellings--Felix Holt, the Radical |
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315 | (26) |
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10. Mixed Media--Middlemarch |
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341 | (30) |
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11. First Things First--Daniel Deronda |
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371 | (32) |
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12. In Summary of the Above |
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|
403 | (6) |
| Bibliography |
|
409 | |
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